A Quote by Steve Erickson

With a few exceptions like Kraftwerk, most great 20th century Western music is in some way American-based. And the great paradox of America, the paradox that distills America, is that this greatest of American contributions to humanity, this American contribution that probably has influenced more people around the world for the good, that probably has brought more people around the world unqualified joy, was born of America's greatest evil, slavery. Or one of the two great evils anyway, counting the European extinction of those who were on the continent first.
Foreigners have a complex set of associations in their minds when they think of America - from Iraq to 9/11, certainly, but also from Coke to jeans. It is entirely possible for people around the world to love American products, American books, American movies, American music, and dislike the policies of the government of America.
And the American people are the greatest people in the world. What makes America the greatest nation in the world is the heart of the American people: hardworking, innovative, risk-taking, God- loving, family-oriented American people.
We have the greatest resource universities in the world, the only place in the world. We have the most productive workforce in the world. We have the most agile venture capitalists in the world. We have a situation where right now in the United States of America, we are near energy independent. North America is beginning to be the epicenter of energy. What is it that makes people think that this is not going to be the American century? I don't get it.
Western music is arguably America's greatest contribution to the 20th century, cultural or otherwise.
I like the way that American has become a kind of spiritual home even for people who have never seen it. American dreams are strongest of all in the hearts of people who have only seen America in their dreams. I think it's refreshing and reviving to go around the world and see how America still occupies this special place.
America is the big subject of the second half of the 20th century, tackled in one form or another by all the great American male writers. You could make a case for saying that it was the only game in town - from Bellow to Roth to Updike to Richard Ford - America was more or less explicitly the leitmotif.
America is the most compassionate country in the entire world. We do more for folks around this world. And that's the nature of the American people.
When we look at the arts and letters in America, especially if we look at poetry, and poetry set to music, this dialogue, we have this very powerful beautiful, eclectic, diary, or narration of being in America, being American, participating in America, becoming more of America and also as an American, the American creative spirit, which is quite interesting. Our composers and poets have spent more time writing and thinking and speaking out of what it means to be a composer or poet as well as to be an American, or a composer or poet In America; both relationships.
Becoming involved in sports and traveling the world and seeing how people of color were treated around the world, and America being such a great nation, probably the greatest nation in the world, I think that the thing that would destroy this nation more than anything is the inequality that we have amongst people of color.
The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .
Were I to make the announcement and to run, the reasons I would run is because I have a great belief in this country [America]. ... There's more natural resources than any nation in the world; the greatest education population in the world; the greatest technology of any country in the world; the greatest capacity for innovation in the world; and the greatest political system in the world.
[Chicago] is the greatest and most typically American of all cities. New York is bigger and more spectacular and can outmatch it in other superlatives, but it is a "world" city, more European in some respects than American.
I grew up watching American films, listening to American music, and it's a big contribution to the rest of the world. I mean, American jazz, for me, is the best thing culturally that America has produced.
For most people, it is enough for the world to know that they aspire. The world does not ask what their aspirations are, trusting that those aspirations are for the best and greatest things. But with regard to the Negroes in America, there is a feeling that their aspirations in some way are not consistent with the great ideals.
Very few Black people ever embraced back to Africa movements, and very few actually, a tiny number actually went back to Africa. They said, "We are going to make America live up to the ideals of the Declaration of Independence and the Constitution of the United States." They produced one of the world's great cultures; they produced individuals who were just as brilliant and made contributions to the world civilization. In fact, they produced a world-class civilization, the African American civilization, in music, in dance, in oratory, in religion, in writing.
Thanks to Barack Obama, America is for the first time aligning its values with those of 'the majority of the world's population.' If you think the world's population has had better values than America, that is has made societies that are more open, free, and tolerant than American society, and that is has fought for others' liberty more than America has, you should be delighted.
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