A Quote by Steve Erickson

Being a man of taste and sophistication, the 80s were objectively, quantifiably, empirically, diagram-it-on-a-blackboard the worst decade in the history of recorded music.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
The '80s were a lost decade.
I have one of the worst voices in the history of recorded time.
For many people in the U.N., the 1990s was the worst decade the organization experienced. This was the decade of Somalia, Srebrenica, of Rwanda and so forth, and yet the reality is, during this period, although there were these awful conflicts, the overall number of wars had gone down.
I remember researching a really complicated article and having trouble keeping track of all the different perspectives. I ended up drawing a diagram to help myself follow how the ideas were interrelated. I looked at the diagram when I had finished and thought, "Oh, maybe I don't need to write the article now - maybe I've done my job as a journalist. I can convey my understanding through the diagram."
A noble, logical diagram once recorded will never die.
The whole period of the '60s changed a lot of us; there was never a decade like that in American history... to have the decade capture one of the great accomplishments of this century: man landing on the moon.
I love the 80s. I always used to watch that VH1 show, 'I Love the 80s,' nonstop. I love the 80s, everything about it, the clothes, the music. Especially the music. The music is so happy. It's great.
I think my style revolves around the philosophy that less is more, that simplicity is the ultimate sophistication. That goes for my taste in design and in clothes, and even affects the way I approach music. I'm all about keeping things simple, and minimal, but being able to convey something powerful through that approach.
The discovery of the good taste of bad taste can be very liberating. The man who insists on high and serious pleasures is depriving himself of pleasure; he continually restricts what he can enjoy; in the constant exercise of his good taste he will eventually price himself out of the market, so to speak. Here Camp taste supervenes upon good taste as a daring and witty hedonism. It makes the man of good taste cheerful, where before he ran the risk of being chronically frustrated. It is good for the digestion.
They say history always repeats itself and I pulled a lot of inspiration from the '90s and '80s and '70s. I don't know if I was born in the wrong decade or something, but I really gravitate towards that era.
Going to the blackboard at school was the worst torture.
Make big plans; aim high in hope and work, remembering that a noble, logical diagram once recorded will not die.
I am a true 80s girl. I loved Kylie, Madonna, The Bangles and Human League. I fancied a couple of the Neighbours kids too and I loved Bros. God, I had terrible music taste. I’m getting a taste of my own medicine now, as my daughter’s been asking for some quite scary albums.
Look, taste is clearly the crudest of our senses: this is scientifically, objectively factual. It is less nuanced. Eyesight is extraordinary - hearing, touch. I find people who devote their whole lives to taste a little strange.
My friends and I have often discussed the plausibility of a connection between qualitatively bad music and quantifiably successful music, often citing the example of Candlebox and their paradoxical influence on culture.
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