A Quote by Steve Erickson
In terms of America, I think any profound consideration is bound to return us to the notion of twins because, though you certainly can contend there are many Americas, our history has been binary from the beginning, with its hairline fracture down the country's center between what American has wanted to be and what America has been. That fracture is slavery, of course. To some extent it's still slavery, in that collectively we refuse to come to grips with the American fact of slavery.
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As for slavery, there is no need for me to speak of its bad aspects. The only thing requiring explanation is the good side of slavery. I do not mean indirect slavery, the slavery of proletariat; I mean direct slavery, the slavery of the Blacks in Surinam, in Brazil, in the southern regions of North America. Direct slavery is as much the pivot upon which our present-day industrialism turns as are machinery, credit, etc. … Slavery is therefore an economic category of paramount importance.
I think when a society has such a profoundly dark and awful evil such as slavery in its history, then it leaves scars that are very, very deep. And unless we collectively address them and really put our effort to healing them, they'll perpetuate. The United States of America are still suffering from the echoes of slavery. I think we're still reeling from all the pain that is a result of it, and that's a reality.
The anti-slavery party contend that slavery is wrong in itself, and the Government is a consolidated national democracy. We of the South contend that slavery is right, and that this is a confederate Republic of sovereign States.
In the era of slavery, you could be a so-called Afro-Cuban one day and a so-called Black American the next day, or vice versa. I mean there was all this back and forth, and there was a lot of opposition in Black America to slavery in Cuba in particular, because slavery in Cuba lasted until the 1880s.
I think comedy allows people to accept the more difficult parts of history. And history, if it's presented wrong, is just very depressing, particularly the history of slavery. If slavery is presented properly, it's a great story. But I think that within the commercial world of storytelling in which I live, there haven't been many strong works that discuss slavery in ways that are palatable and funny and interesting to the reader.
The greatest evil of American slavery was not involuntary servitude but rather the narrative of racial differences we created to legitimate slavery. Because we never dealt with that evil, I don't think slavery ended in 1865, it just evolved.
The American Negro must rebuild his past in order to make his future. Though it is orthodox to think of America as the one country where it is unnecessary to have a past, what is a luxury for the nation as a whole becomes a prime social necessity for the Negro. For him, a group tradition must supply compensation for persecution, and pride of race the antidote for prejudice. History must restore what slavery took away, for it is the social damage of slavery that the present generation must repair and offset.
Think about it: we went into slavery pagans; we came out Christians. We went into slavery pieces of property; we came out American citizens. We went into slavery with chains clanking about our wrists; we came out with the American ballot in our hands.
Since the beginning, the US presidents (all of European stock, of course), had been promoting slavery, extermination campaigns against the native population of North America, barbaric wars of aggression against Mexico, and other Latin American countries, the Philippines, etc. Has anything changed now? I highly doubt it.
We call 'Slavery is wrong' a moral truth because there is a specific history of theoretical investigation of a particular kind of slavery. We discussed it for centuries in metaphysical, economic, biological, and philosophical terms; we listened to all the arguments pro and con, we read all the testimonies of slaves and witnesses, and we decided. Though this 'we" is not everybody on earth, or even most people, who've never thought about slavery much.
We still have slavery of all kinds - slavery of thought, slavery of ideas, slavery of cultureand I think 'Roots' exemplifies, in a very strong way, man's need to think for himself, feel for himself, do for himself.
We, the Black people of America, were chosen by Allah: Not to be "special" in the sense that we are better than others, but chosen because of the uniqueness of our position inside of America, and 460 years under slavery, neo-slavery, and injustice, to carry a message to the whole of humanity.
Although it has been fashionable to deny it, anti-slavery doctrines began to appear in Christian theology soon after the decline of Rome and were accompanied by the eventual disappearance of slavery in all but the fringes of Christian Europe. When Europeans subsequently instituted slavery in the New World, they did so over strenuous papal opposition, a fact that was conveniently 'lost' from history until recently. Finally, the abolition of New World slavery was initiated and achieved by Christian activists.
We have far more options for black Americans to tell stories outside of slavery, but whenever it comes to slavery, it's an uncomfortable subject. Why? Because it's the most unresolved subject in American history.
There was no United States before slavery. I am sure somebody can make some sort of argument about modern French identity and slavery and North Africa, but there simply is no American history before black people.
Half the country seceded from the other half when Abraham Lincoln was elected because half the country couldn't abide his position on slavery. You would think 150 years later this had all become pretty historically incontestable. Yet millions continue to contest it in the face of history. Rather the denial of slavery and all its monstrous repercussions defines to one twin America what the country is and means, and therein is the DNA of those "alternative facts" that people believe when they can't stand to believe the truth.
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