A Quote by Steve Erickson
Movie directors who have filmed F. Scott Fitzgerald's 'The Great Gatsby' believe it's a big book looming inside a small one, and they aren't altogether wrong.
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'The Great Gatsby,' by F. Scott Fitzgerald, remains the most perfect novel that has ever come out of the United States. Everything in the book moves as it should, in the manner of a piece by Bach or Mozart.
I can only remember two books from college that moved me: E.M. Forster's 'Howards End' and F. Scott Fitzgerald's 'The Great Gatsby.'
It’s Fitzgerald’s thin-but-durable urge to affirm that finally makes Gatsby worthy of being our Great American Novel. Its soaring conclusion tells us that, even though Gatsby dies and the small and corrupt survive, his longing was nonetheless magnificent.
The best work of literature to represent the American Dream is 'The Great Gatsby' by F. Scott Fitzgerald. It shows us how dreaming can be tainted by reality, and that if you don't compromise, you may suffer.
Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.
What is most appalling in an F. Scott Fitzgerald book is that it is peopleless fiction: Fitzgerald writes about spectral, muscledsuits; dresses, hats, and sleeves which have some sort of vague, libidinous throb. These are plainly the product of sickness.
Bootleggers were romanticized by people like F. Scott Fitzgerald, for example. Gatsby is a bootlegger. And they were not thought of as evil criminals in the newspapers, either. There was a certain amount of affection for them.
I fantasised about F. Scott Fitzgerald's 'The Great Gatsby' - I loved it, and then I read everything J. D. Salinger had to offer. Then I was turned on to Kerouac, and his spontaneous prose, his stream of consciousness way of writing. I admired him so much, and I romanticised so much about the '40s and '50s.
Fitzgerald could sense that America was poised on the edge of a vast transformation, and wrote a novel bridging his moment and ours. The Great Gatsby made manifest precisely what Fitzgerald’s contemporaries couldn’t bear to see, and thus it is not only the Jazz Age novel par excellence, but also the harbinger of its decline and fall.
I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
And, for the record, I didn't murder anybody. I want to make that clear. It's entertainment and it brings about the message I believe Scott wants to portray in this movie. There are a few messages in the movie and I'm not going to tell you what they are, but Scott hits the nail on the head with him.
With great lawyers you have discussed lepers and crooks, you've been through all of F. Scott Fitzgerald's books.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
I subscribe to the great George G. Scott quote, "All actors are in trouble. Directors who don't help are a pain in the ass". We all need help from directors. We are all equally insecure.
A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.
Reading it now for the seventh or eighth time, I am more convinced than ever not merely that The Great Gatsby is Fitzgerald’s masterwork but that it is the American masterwork, the finest work of fiction by any of this country’s writers.
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