A Quote by Steve Erickson

When television captured the popular imagination of the 1950s, a rash of movies satirized Hollywood while also mythologizing it. — © Steve Erickson
When television captured the popular imagination of the 1950s, a rash of movies satirized Hollywood while also mythologizing it.
The crazy thing about 'Hook' was it was one of the movies in town that everybody knew about. It was the biggest film shooting in Hollywood at the time and the idea of Robin Williams playing Peter Pan really captured everybody's imagination.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I also wonder why is it that so many of the movies and books that are detective stories are also the most aesthetically interesting? From Hollywood noirs to horror movies like The Shining [1980].
Some of my favorite movies are Hollywood movies. Hollywood is part of the cinematic spectrum. I nurture a healthy love-hate relationship with Hollywood.
I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.
Whether as victim, demon, or hero, the industrial worker of the past century filled the public imagination in books, movies, news stories, and even popular songs, putting a grimy human face on capitalism while dramatizing the social changes and conflicts it brought.
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies.
I don't care about Hollywood films. I'm not against Hollywood films, you know? Hollywood films were very good before, in the 1950s.
I was never a big reader as a kid. My imagination wasn't captured by books very often. It was captured more often by boys and partying and riding horses.
I like to go to the movies at The Hollywood Forever Cemetery. They do this thing in The Hollywood Forever Cemetery in Hollywood where everybody sits out on the grass and they project movies and it's very romantic and very old-school Hollywood, so I love that.
What people, both while voting or while watching television, seek is the same - to know what you stand for and whether you can tell a story that captures their imagination and holds their attention.
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
We need Hollywood to make movies and television shows about sexy female engineers.
For the most part, Hollywood is very transactional. People want to make movies and television shows.
It takes a pretty strong person, a rather unusual young person, to stand up to ridicule and refuse to give in to temptation. There are so many things today in modern music, on television, and in the movies that portray a life that is nowhere near the life the Lord would have us live. Consequently, we cannot afford to turn to the radio, television, or Hollywood to take our cues about what is right and what is wrong. It is scary to realize that the more we are exposed to Hollywood's version of life, the more we gradually begin to accept it.
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