A Quote by Steve Erickson

When the Doors became huge, what nascent rock intelligentsia existed at the time adored them. — © Steve Erickson
When the Doors became huge, what nascent rock intelligentsia existed at the time adored them.
And then sometimes I think the people to feel saddest for are people who once knew what profoundness was, but who lost or became numb to the sensation of wonder – people who closed the doors that leads us into the secret world – or who had the doors closed for them by time and neglect and decisions made in times of weakness.
I was set free because my greatest fear had been realized, and I still had a daughter who I adored, and I had an old typewriter and a big idea. And so rock bottom became a solid foundation on which I rebuilt my life.
When 'I'm Sorry' came out and became such a huge hit, that made 'Rockin' Around The Christmas Tree' start selling. Then that became a huge, huge hit.
I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.
At the time I was taught to read, it was an Eden-like time of my life. My mother adored me. Everyone adored me. So I associate reading with enormous pleasure.
I've been a fan of The Rock ever since he first came to wrestling. Every time I went to school, I talked about The Rock. So when I finally got to meet him I couldn't believe it! When he walked through the door, I went bug-eyed! 'I'm standing next to The Rock, man!' He's huge. He's very nice, though.
I have always been a huge believer in the inestimable value good mentoring can contribute to any nascent business
Rock music is important to people , because it allows them to escape this crazy world. It allows them not to run away from the problems that are there, but to face up to them , but at the same time sort of DANCE ALL OVER THEM. That's what rock and roll is about.
I think between The Beach Boys, The Beatles, The Rolling Stones and innumerable acts after that... rock music became a huge economic force.
Blues became rock, rock became soul, and all of it was colorblind.
For the longest time I studied revenge to the exclusion of all else. I built my first torture chamber in the dark vaults of imagination. Lying on bloody sheets in the Healing Hall I discovered doors within my mind that I'd not found before, doors that even a child of nine knows should not be opened. Doors that never close again. I threw them wide.
[Roger] Vadim became famous worldwide as a director, and I as an actress, but the other side of the coin was terrible. My life was totally turned upside down. I was followed, spied upon, adored, insulted. My private life became public.
That was exactly why people didn't want to give us any kind of life, because we were threatening their status quo, and they just didn't want to have room for girls playing rock 'n' roll. It bothered them. First, people just tried to get around it by saying, "Oh, wow, isn't that cute? Girls playing rock 'n' roll!," and when we said, "Yeah, right, this isn't a phase; it's what we want to do with our lives," it became, "Oh! You must be a bunch of sluts. You dykes, you whores." That's what it became. Then it became a name-calling contest.
Rock and roll's relatively new, in the sense of the Fifties, Sixties, right? They invented the first sort of rock stars, and they took it to excess, and then the excess became bitter, tormented. Then it became okay to succeed.
My father was my trainer, my teacher. He was closer to my sister in the sense that she adored him and he adored her. He was more like my pal. Because of the 13-year gap, I think by the time I came along, it wasn't a big deal. I wasn't spoilt or cherished, I was just put to work.
Julieanne Smolinksi has a history in rock journalism and she's a huge rock 'n' roll fan, and she was a huge fan of Ava (Elaine Hendrix) and Gigi (Elizabeth Gillies) and of the actresses. I was really lucky to get her, in between seasons on Grace and Frankie.
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