A Quote by Steve Forbert

I like getting requests from audience members. — © Steve Forbert
I like getting requests from audience members.
The Trump campaign generally does not respond at all to my requests for information - either requests for broader data on Trump's charitable giving or narrow requests for information about specific subjects, like the $20,000 portrait of himself that Trump seems to have purchased with money from his charity.
For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.
I think that artists, at a certain point, can either become defiant and say that the audience is wrong, readers don't get them, and they're going to keep doing it their own way, or they can listen to the criticism - and not necessarily blindly follow the audience's requests and advice.
I wasn't able to articulate it until after audience members gave feedback. And then, similarly, when we talked about the bromance being unique, I don't think Mark, Jay, and I really saw how special that aspect of that bromance was until our audience members sort of gave us feedback and let us know, "Hey, we've never seen a bromance like this before on television."
I do like to keep abreast of what the hardcore vocal members of the comics-reading audience are talking about on Internet message boards, but there are so few of them, as a percentage of the buying audience, that I can't allow their opinions to dictate story direction.
Being on Oprah? You realize that there are a couple of types of audience members. There are like the cult people in the audience who are just crying before she gets on. And then there are the people who are playing it cool. I definitely was somewhere in the middle.
Emotionally, light very much influences, I feel, the audience. It's not something that most audience members are conscious of, which is a good thing, because it means as filmmakers, we have the opportunity to gently control an audience into feeling a certain way.
I think the audience is getting it right, you know what I mean? And that's kind of rare when the artist feels like their audience understand them. But I feel like people are understanding exactly what I'm going for. And that's awesome.
If you have any requests. keep them to yourselves. we don't play requests!
I think of people as members of an audience. But an audience acts independently of every individual. It's an organism on its own. I focus on that living hydra in the dark.
Don't get addicted to your requests. Your objective is needs, not requests. Because then it becomes a demand.
Team members have to hold each other accountable. If there's a meeting, all members have to commit to be present and to help one another; they can't just check out when they feel they're not getting any benefits.
In the early years, I was able to accommodate most of the requests and favors that came my way, but as the requests multiplied, I had to make tough choices because the numbers were more than I could handle.
Any show that's bringing in a young audience is doing a good thing, because that's the only way that theater will continue to grow. All the other audience members are going to be dead soon!
If your imagination leads you to understand how quickly people grant your requests when those requests appeal to their self- interest, you can have practically anything you go after.
Audience participation can often inject a dose of adrenalin into your average dial-tone literary reading, especially if a handful of audience-members are mentally unhinged, and let's face it - you can always depend on at least one crackpot at these things.
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