A Quote by Steve Forbert
I have a knack for writing tribute songs for people who will never know about them.
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The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
There will be slow songs, sad songs, happy songs, songs about boys, and songs about being who you are. I'm making sure I'm happy with all of the songs, because if I am not happy with them, I can't expect anyone else to be, you know?
Nine times out of 10 when people do a tribute album or tribute songs for somebody, it's what I call 'white boys playing reggae'. They know they can't, we know they can't, so they sing like they can't and play like they can't. They gently make fun of the idiom or sing in a false accent.
Throughout my career as a songwriter, I've had a knack for writing songs that were about me and my life experiences and observations.
I'd probably be a super wealthy guy if I had sat around writing songs and getting them placed like everyone else I know. But I write songs about people or after I meet them and they're somewhat biographical - they're fiction but also non-fiction.
It's not about battling the original artists when I record these songs, it's about paying tribute to them.
When I was younger, I used to love the idea of writing songs and performing them live. But that was all I thought about. I didn't think about people getting to know my face.
Many of the songs were written as a way of paying tribute to specific people, but in the end the songs took on a life of their own and I didn't worry about accuracy or biographical truth, so it's not a problem.
We're Cheap Trick, and the majority of people know about three songs, and the real huge fans know about eight. There are 292 songs people have never heard.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
When I was younger it was a lot of quantity over quality. Just writing, writing, writing. Hundreds of songs. Now it's fewer songs. If I write 10 songs I believe 80 percent of them are good and gonna be used.
The quality of my songs will get through to people. They are good songs. Lyrically, some of them are interesting: there's stories, a bit of humour. I'm very confident about the music I play, you know.
I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
You know, I've always said, I've never felt I was a particularly good singer, but I've always thought I had a great knack for picking hit songs.
Whatever people want to say, we go out there every night, and we give tribute to the songs that my brother wrote, to Ronnie and Allen Collins and Steve Gaines and Leon Wilkeson and everybody. We pay tribute every night to those people who have gone on.
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