A Quote by Steve Grand

I'd rather have a lot of little donations than a couple big ones. That shows that people care and are giving what they can. — © Steve Grand
I'd rather have a lot of little donations than a couple big ones. That shows that people care and are giving what they can.
I think people forget that it doesn't take a big donation to help someone, just a lot of little donations.
In an era when party fundraising is badly tainted, dinners are a really good way of raising cash for campaigning. Lots of people giving very small amounts of money through ticket sales and raffle prizes: yes, it's much harder work than big donations, but I think it's a more democratic and transparent way of fundraising.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
A lot of food shows are people wanting to become celebrities, rather than encouraging people to cook.
What we have are - some of the big political donors behind the super PACs are big on promoting more of these trade agreements which cost us jobs - another reason that we need to end political action committees and have only individual donations with their donations being disclosed completely with names and addresses and other information.
Living as a couple never means that each gets half. You must take turns at giving more than getting. It’s not the same as a bow to the other whether to dine out rather than in, or which one gets massaged that evening with oil of calendula; there are seasons in the life of a couple that function, I think, a little like a night watch. One stands guard, often for a long time, providing the serenity in which the other can work at something. Usually that something is sinewy and full of spines. One goes inside the dark place while the other one stays outside, holding up the moon.
Multiplexes are being very unkind to small films. They are giving a lot more space and value to the big budget films rather than distributing show timings fairly. But that fight will go on.
The Angels shows are really intense. We play for a couple hours at a time. They're very theatrical and full of audience interaction and emotion. I've seen a lot of people crying and stuff. It's a little bit like church, but it's very secular.
We could have saved Wall Street without putting our future in jeopardy. I predicted that there would be all-around consequences - in the long run as well as in the short run. People are now saying we can't afford health care reform because we spent all the money on the banks. So, in effect, we're saying that it's better that we give rich bankers a couple of trillion than giving ordinary Americans access to health care.
Obviously, a lot of non-profits live on donations, and that's a wonderful thing. But higher education can't exist on donations only because, if that were the case, we would have a hard time paying teachers adequate salaries.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
There are a lot of bands who would get really big in Fort Worth and play shows on a Friday night that everybody would come out to. But I've never been really big in my hometown. My shows would have 10 or 15 people at them.
When I went to Fashion Week, I was very disappointed by how few women of color were in those shows. I do speak to the younger girls, and I hear them when they say they're not getting the big contracts or into the big shows. So, to sum it up, it seems that whenever we take a couple of steps forward, we take a few more backwards.
I always feel a little funny being in front of a lot of people trying to show them my approach to the ukulele, but I do enjoy it. I do get a little more nervous doing workshops rather than performing.
I spent a lot of time learning how to define myself internally rather than externally. I learned how to care less about external validation. I think that's given me a renewed confidence in speaking out loud. I kind of don't care what people think about me. I feel a lot more confident in saying what I believe.
There were radio shows where you actually got to hear people play off of each other and get that immediate magic that goes on. And rather than doing what a lot of shows do, where an individual comes in, reads their part, and you edit it together later on and try to build a performance, we're lucky because this is really very much a theatrical performance that is going on, every single week.
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