A Quote by Steve Guttenberg
It is hard to look back and talk about a set of disjointed experiences as though they were part of one smooth progression.
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Everybody gets all worked up about trash talk but it is what it is - it's talk... You ask any player, honestly, if trash talk's gonna affect how hard they play, because if a little trash talk affects how hard they can play, it just lets us know that they were holding back or weren't playing harder or as hard as they could.
When you look back at your own life, you see ... the sufferings you went through, each time you would have avoided it if you possibly could. And yet, when you look at the depth of your character now, isn't a part of that a product of those experiences? Weren't those experiences part of what created the depth of your inner being?
Nobody knows what self-radicalized means, and that's one of the weird things about the way that we talk about terrorism. We talk about radicalization as though it were a thing, as though you could sort of track it and identify it, and that's not the case.
If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.
I think when we talk of craft we talk of a certain set of processes, whether that be clay of glass if jewelry or textiles, and we look back through history instantly.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
We say that the words were smooth, caressing, hard, sharp, and so on: all words that refer to body touching. Indeed we can kill or elate with words as body experiences.
I enjoy meeting not only contemporary children, but yesterday's children as well. It's nice to talk about the experiences we shared, they tell me, 'You were a good friend.' That's the warmest part.
It's hard to talk about childhood trauma. It's hard to talk about depression. It's hard to talk about anxiety. And we thought - I wonder if we just open up our subconscious and the things that we think about and hide from people every day and just let them come out in some of these lyrics.
Chord progression is progression of emotions; storytelling - taking one person from one mood to the next. We are doing the same thing within a DJ set.
When you get into the series, the progression is much different. You actually have breathing room and the chance to sit down with each actor, which was a part of our process, to talk to them about their pasts.
I worked hard to meet his eyes, even though they were the kind of pretty that's hard to look at.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
People talk about the pop part - they don't talk about me being an independent artist. I made it look easy, that's the problem!
At times it may seem as though you and your past are one. Sometimes we fail to differentiate between what has happened to us and who we are today. If you have a hard time getting beyond that damaging mind-set let me encourage you right now. You are not your past Although you are changed and shaped by past experiences who you were yesterday does not control the person you have the potential to become tomorrow.
I think part of why schizophrenia got linked to civil rights protest in the '60s was because mainstream society was coding threats against the smooth running of the state as insanity and treating it as such, and so as that happens you see the evolution of a process in which people with schizophrenia are increasingly feared and our hospitals, particularly the kind of hospital that I look at in the book become to look more and more like prisons, to the point where many of them including the one I talk about actually become prisons.
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