A Quote by Steve Guttenberg
There's tons of waste on every film. It really doesn't matter the budget, as long as it hits a bull's-eye.
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We have all learned everything we know physically—from walking to running a marathon—by trial and error, so there's no reason to become our own worst enemies when we suffer a setback. From time to time everyone falls short of their goals. It's an illusion to believe that champions succeed because they do everything perfectly. You can be certain that every archer who hits the bull's-eye has also missed the bull's-eye a thousand times while learning the skill.
After that really, I spent the majority of the spring going to tons and tons of regional festivals throughout America. Every corner of the country, I took the movie to twenty film festivals or something to that extent. I've lost track. Probably done Q&As 40-50 times at this point. It's always hard to watch something I've made, but I've got a little more objectivity and kind of see the film as not just an extension of myself.
The bigger the budget, the less an audience is trusted, and that's the difference between a big-budget film and a small-budget film.
It's not necessary that every film has to hit Rs 100 crore box office, or the Rs 50 crore budget. If the film makes double of its project budget, we consider that a hit, and that also means that the film is in profit.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I I have on a big budget film as well, but they're just much bigger.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I have on a big budget film as well, but they're just much bigger.
Just trying to get a film made which is always difficult no matter what kind of a budget you have. Not having a budget makes it even more difficult. Having nineteen days and no budget makes it extremely difficult.
I have long believed there is a lot of waste in the defense budget.
I wanted to try every style available to me - large productions, small productions, studio films, low-budget. You just can't sit around and wait for every big-budget film to come along.
I feel that your ambitions should always exceed the budget. That no matter what budget you're doing, you should be dreaming bigger than the budget you have, and then it's a matter of reigning it in to the reality. You try to make things count.
The only difference between working on a huge-budget film and a lesser-budget film, is the quality of lunch and dinner.
I always cooperate to complete a film within the budget. Not a single film of mine has overshot its budget.
In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.
If you refuse to acknowledge that there is any waste that can be culled from the military budget, you are a big-government conservative, and you cannot lay claim to balancing the budget.
Sonali Cable' is not a low budget film, it's a normal budget film.
The budget for 'Sanam Re' was Rs 15 crores. I had extravagant ideas for the film, but they had to be curtailed to squeeze into my budget - which meant pre-planning and putting down every single detail on paper.
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