A Quote by Steve Hackett

We got a Chinese Elvis painted by Norman Rockwell. — © Steve Hackett
We got a Chinese Elvis painted by Norman Rockwell.
You can't prove Rembrandt is better than Norman Rockwell - although if you actually do prefer Rockwell, I'd say you were shunning complexity, were secretly conservative, and hadn't really looked at either painter's work. Taste is a blood sport.
The struggle is how to write optimistically when the world we're living in is not inherently optimistic. I love the idea of the family from the most Norman Rockwell version to Norman Bates. Without family, we have very little - it is the most basic social structure. So yes I suppose I wanted to write a hopeful book about the evolution of the family.
I share something in common with Norman Rockwell and, for that matter, with Walt Disney, in that I really like to make people happy.
The actual American childhood is less Norman Rockwell and Walt Disney than Nathaniel Hawthorne and Edgar Allan Poe.
For much of America, the all-American values depicted in Norman Rockwell's classic illustrations are idealistic. For those of us from Vermont, they're realistic. That's what we do.
It is my opinion that Norman Rockwell and his ilk have done more to make already anxious people feel guilty than anyone else.
I get great joy from creating the perfect Norman Rockwell holiday. This is why I think I might be Martha Stewart's brother from another mother.
Norman Rockwell, the Brueghel of the 20th century bourgeoisie, the Holbein of Jell-O ads and magazine covers; by common assent, the most American artist of all.
Used to be, conservatives revered the Average American, that Norman Rockwell oil painting of diner food, humble faith, honest toil, and Capraesque virtue.
If I were writing about Picasso and pointed out that he painted women because he was interested in the female form, that would seem like an obvious point. I don't know why people revolt when I point out that Rockwell painted the male figure and was interested in it.
Family dinner in the Norman Rockwell mode had taken hold by the 1950s: Mom cooked, Dad carved, son cleared, daughter did the dishes.
Every time somebody writes a theory about where literature's going, that person is not only contributing thought but nudging things to happen in one way or the other. Just as in painting, there's much more interest in the American scene painters and the early American... like the Ashcan school of painters. Who would have thought, 50 years ago, that Norman Rockwell would again be considered a serious painter? And yet, there are a lot of people who are saying Rockwell was a very accomplished technician. These things are constantly moving.
I always wanted to be known as the Norman Rockwell of television, and 'Happy Days' represented the part of me that wanted to make mainstream America laugh.
Nick's just from this very Norman Rockwell-ish family. They're very 'American Gothic,' and his parents are so kind, and they're not brash people; they're very soft spoken, salt of the earth.
Norman Rockwell - even though we think of him as a great American artist, in a lot of museums he has not garnered that kind of attention. And it's this kind of accessibility that we're trying to bring - not looking down on any art.
It was very much like Norman Rockwell: small town America. We walked to school or rode our bikes, stopped at the penny candy store on the way home from school, skated on the pond.
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