A Quote by Steve Harris
You know, we never really know what we're going to write next. Which is part of the excitement when we go in and do a new album. No battle plan, we just go in and do it and what comes out, comes out.
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I'm really hopeful about the future of space exploration and human spaceflight. Civilization as we know it has been defined by exploration. You know, we need to go off and find out what's around the next corner and what's just beyond what we already know. It's part of our being; it's part of our moral fiber to go off and explore.
When we finish this tour we are going to begin writing and go into the studio to hopefully have a brand new Foreigner album out in early spring next year. This will be the first Foreigner album out in about ten years.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
Why don't we all just go crazy when we know were going to croak? Because the mind's a monkey. You put things in departments and you go ahead. You go on and plan for the future and assume that the future's going to work out okay. Yet we know that sooner or later we're all going to be eating worms, whether it's fifty years or sixty. It might be tomorrow. It might happen today.
To act out something or take chances in the performance is one thing. But in terms of a camera, whatever's captured is captured so that's a little more daunting. You know you can't go back next week and fix it. Whereas in a live audience you know it's so in the moment and you just go with what's happening. First of all you never have to see it again so you don't know if you were really fulfilling it or not.
It's definitely nice when you develop a plan and you go out there and you work on it with the idea that it's going to work, but you never really know until you get into a game situation and you see how it plays out.
I made multiple leaps where there were no guarantees that I was going to be successful. By the way, I was not always successful. But I think if you go into something new with an open mind, and you let people around you know what you don't know, for the most part they're going to link arms with you. So you can't plan a career so closely that you never make a move unless you know that it's going to work. There's always going to be risk involved in change.
One of the things I've really realized over the past number of years is that you can't plan - you really don't know what's going to happen. All the plans I made for myself all turned out really differently in the end, so I just go with it.
It's funny, when you speak with 'New York' you never know which way they are going to go. They sorta walk that middle road where you don't know if your interview is going to go good or bad.
My process is pretty messy, and there's a lot of creative destruction in it. When I set out to write something, I'll write some passages from it just to figure out who these characters are, how they talk. And I have a dim sense of what it's about and where it's going to go, but I know that's going to change, too.
I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
I don't know, I like to go on really different types of dates. Going someplace new or some new part of the city, something that's not your average thing. Something where you just go have an adventure together.
I just never have really been the kind of person that's out in public being inappropriate, I guess. I like to have fun as much as the next person but I tend to do it in private and just hang out with close friends. If I'm going to go out, I'll just do it with my really good friends.
There's no excuse for having a mental or creative block in sound. You can just go out and collect things in the real world - they make the sound, not you. It's very restricting to always use a library for sound effects. It's much more interesting and freeing to go out and record new sounds because you never know what you're going to get.
I just always want a new producer. I'm going to have a new producer on the next one. Because I'm the same person, and I feel like, I know I'm going to bring to it a certain sensibility that's me, and I want to have something different coming out on each album.
If I'm going to go all out and wear something new, y'all just know that it's brand new and it's likely that nobody has even put it out there yet. Or it's going to be something that's real chill and laid back.
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