A Quote by Steve Inskeep
Newspapers are closed if they print the wrong things in Iran. Iranian journalists or Iranian-American journalists, for that matter, I think are pressured in a lot of different ways, expected to give information to intelligence services. Americans can be thrown out of the country.
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Distinguish between the work and the job title. When I was leaving school in the early 1970s, many people wanted to be journalists, carrying out investigative reporting for print newspapers. Print newspapers may not exist in twenty years. But good thinking and good writing about issues that need to be reported and investigated will always be needed; but where this happens, what it is called, and who pays for it may be quite different than could have been envisioned by the great journalists of the past.
I have traveled many times outside Iran, and have discussed the issue [of the Iranian nuclear project]. I have been asked for my opinion and that of the Iranian Jewish community, and I have always emphasized that the Iranian people has the right to obtain nuclear technology and energy for peaceful purposes. The Iranian people must not give up this right under any circumstances - and indeed, it will not.
I have strong sentiments toward Iran, since I distinguish between the Iranian regime and the Iranian people. I highly esteem Iranian music and culture.
Journalists in newspapers and in many magazines are not permitted to be subjective and tell their readers what they think. Journalists have got to follow a very strict formulaic line, and here we come, these non-fiction writers, these former journalists who are using all the techniques that journalists are pretty much not allowed to use.
It's not the first time that I speak with American journalists. I've had meetings with many different newspapers and stations, and I've ha - never had a problem with meeting with American journalists.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.
the IAEA illegally insisted on politicizing the Iranian nation's nuclear case, but today, because of the resistance of the Iranian nation, the issue is back to the agency. And I officially announced that, in our opinion, the nuclear issue of Iran is now closed and has turned into an ordinary agency matter.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media, I think, is one that needs more of a responsible approach from journalists.
The Iranian government prevented journalists from marching in solidarity with the victims of the Charlie Hebdo massacre yet it organized flag-burning protests against the French embassy, that hasn't ingratiated them to a French nuclear negotiating team that is deeply cynical about the nature of the Iranian regime.
In the United States, Iran is nothing but a whipping-boy. Few Americans have any real use for Iran. Most of us, what we know and remember about Iran are things like the hostage crisis in 1980, or they think about the Iranian attacks in Lebanon, or on the Khobar Towers. So you don't get a whole lot of political mileage in the United States by going out and advocating better relations with the Iranians.
After the rigged Iranian presidential elections in 2009, the Islamic regime attacked the 'humanities' as the main source of protests, the most effective tool used by the West, especially America, to corrupt and incite Iranian youth, and finally closed down all the Humanities departments in Iran's universities.
It's probably more frustrating to me as an Iranian living in America than it is when I'm over there. Inside Iran, people are actually quite well educated about America. There are things they don't understand, particularly in the government, but the people, by and large, know the American sensibility quite well, and the reverse is not true. There's a lack of knowledge about Iran and the Iranian people.
I would like to promote internal change in Iran - which is more likely if we don't fuse Iranian nationalism with Iranian fundamentalism.
As a child, I used to feel much more American than Iranian. Like everyone else at school, I pledged allegiance to the flag. However, after returning to Iran, sadly, I learned about a very different America, an America that most Americans have no idea exists. For the first couple of years this was hard to accept, and it was really painful in some ways.
The intelligence services would probably be in a better position to make an assessment of the advancement of the Iranian nuclear program than Podhoretz or Ledeen. They don't have access to any specific information. So for them to dismiss it has no great value because they have no authority whatsoever on this issue. For them to push forward with their efforts to get a war started between the U.S. and Iran, you certainly cannot say that Iran does not have a nuclear program. If you say that, then the justification for war has basically been eliminated.
I don't see myself as a very important person. But I was the second woman to write a novel in Iran, and I have written most of the novels about Iranian women. In this way, maybe I have a good place in Iranian literature.
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