A Quote by Steve Kanaly
As an actor I think sometimes producers need a little bit of encouragement to see you in a particular role, they may not have as much imagination as you would expect.
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I think every actor tries to put a little bit of themselves into each character, and I think if you watch very closely, every actor has a bit of himself in every role whether they want to admit it or not.
As a director, it became important to hear that specific role read by that specific actor, and you hear the chemistry, or you don't hear the chemistry. So I'm not so bothered by the audition process anymore; in fact, I use it. It's a time for the actor to actually get to the know the director and the producers a little bit, too.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
Philosophers, if they have much imagination, are apt to let it loose as well as other people, and in such cases are sometimes led to mistake a fancy for a fact. Geologists, in particular, have very frequently amused themselves in this way, and it is not a little amusing to follow them in their fancies and their waking dreams. Geology, indeed, in this view, may be called a romantic science.
What sun is there within us that shoots his rays with so sudden a vigor? To see the soul flash in the face at this rate one would think would convert an atheist. By the way, we may observe that smiles are much more becoming than frowns. This seems a natural encouragement to good-humor; as much as to say, if people have a mind to be handsome, they must not be peevish and untoward.
You would expect to see that first in high-yield [debt], but it was in the most liquid thing in the world. So that, I think - it's a little bit of a warning that we've got to be prepared and just be careful.
Sometimes you realize that the thing an actor is asking for isn't exactly the thing they want. Maybe they're asking for more dialogue, or maybe they want a deep intellectual exploration of their role. But probably what they really need is encouragement.
I don't think an actor should have any particular image, and that's the reason I would not ever take up a similar role again.
Seattle isn't known for a particular production sound, so that leaves a lot of great producers in Seattle doing kind of their own thing. And I think, for me, I was probably enough removed from hip-hop that my style was even a little bit weirder than that.
With every role that I do, I always see a little bit of me, a little bit of art and life.
If you work in the city long enough, it begins to deal with you on a personal level. Streets reveal their moods. Sometimes the signal light loves you. Sometimes they fight you. When you're hunting for a new building, you hope the city is on your side. You have to use a little bit of thinking--you might call it the process of elimination--and you need a little bit of instinct, but not too much of either. If you think too hard, you overshoot your target and end up at the Pier or the Tenderloin. If you relax and let the city help, the destination does all the work for you.
I see the role of a rabbi or a pastor in general sort of like the role of a quarterback who throws the ball a little bit ahead of the receiver - that is you want to make people run just a bit to catch up to the message that you offer.
Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.
Unless I'm a little bit scared about something, I'm genuinely not actually entirely happy. I feel I need to be just that little bit outside my comfort zone, and then I can really surprise myself and stretch myself, and I think that's a really good thing for any actor.
I'm not much of a self-promoter or anything. It's not something I feel comfortable doing. But sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition. I don't write to put it in a drawer, I hope that people see it. But what am I willing to do for that? I struggle with that a little bit. I try to be accommodating, but I'm pretty much a loner. I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff very much.
But when I did think about it and looked at the whole package - the producers behind the show, the writers, the cast I would be working with - I would have been a fool to turn it down just because the role for me was another gay role.
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