A Quote by Steve Kazee
'Peter and the Starcatcher' is the most amazing piece of theater I think I've ever seen. It made we want to be a kid again and made me want to pretend, which I do on a nightly basis.
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It was a weird moment in my life and a weird experience [doing a theater]. It made me think, "Gee, I don't know if I ever want to do this again." And I love theater. I love going. I love the experience of theater. But I am not sure it's for me.
I spent my childhood watching every scary movie that Hollywood ever made. And I think that gave me the best education for storytelling. It also made me want to reproduce the scary moments that I felt, sitting in a theater at the age of 5.
I have seen clouds part for the sun. I have seen rainbows. I have seen flowers in the morning, covered in dew, and I have seen sunsets so brilliant with fire they made me want to weep. And I have seen Dan smile at me, his lips still wet from my kiss, and if I had to choose which sight moved me the most I would say it was that one.
I don’t think there's ever been a point in my career where I've said, 'I've made it.' What does that mean, 'I've made it?' Made it to what? If you say, 'I've made it.' then are you finished? I don't want to be finished. I don't want to quit.
I want to continue to produce film, television, and theater, and to make the most amazing music that I've made in my life.
Often, when I finish a film, I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.'
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
Often when I finish a film I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.' And then, thank God, that feeling goes away after a month or so and I'm raring to go again.
The letter from Dan Gilbert, the booing of the Cleveland fans, the jerseys being burned -- seeing all that was hard for them. My emotions were more mixed. It was easy to say, 'OK, I don't want to deal with these people ever again.' But then you think about the other side. What if I were a kid who looked up to an athlete, and that athlete made me want to do better in my own life, and then he left? How would I react? I've met with Dan, face-to-face, man-to-man. We've talked it out. Everybody makes mistakes. I've made mistakes as well. Who am I to hold a grudge?
It's the failure of my debut film which made me an actor, which made me want to succeed in the industry. But that doesn't mean I regret whatever choices I've made over the years. No, not even 'Kaiyethum Doorathu!'
I haven't seen 'Room' yet. People tell me 'Room' is such an amazing film, but ever since I had a kid, I just can't. I can't do it. It's not fun. It's not a place I want to be.
That's part of what made me interested in theater as a kid. It made it acceptable to be a man for an hour onstage.
The day after the president Trump election, I remember feeling like it was 1984 again. It was in the air somehow. That ownership of bigotry. I hadn't seen it since I was a kid. It made me want to change the kinds of poems I was writing, but I'm terrible at writing overtly political poems.
So this was different. I was amazing now - to them and to myself. It was like I had been born to be a vampire. The idea made me want to laugh, but it also made me want to sing. I had found my true place in the world, the place I fit, the place I shined.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
What did winning a Grammy do for me? It made me want to get rid of my Grammy, pack it away, and never see it again. It made me not want to speak to anyone who wanted to speak about my Grammy.
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