A Quote by Steve Kluger
Augie: Does everybody else know? T.C.: About my epitaph? Augie: About me being gay, you gink-head hoser-face! T.C. Not everybody. There's a night watchman at a Dunkin Donuts just outside of Detroit. He doesn't know yet.
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People are fans of Dunkin' Donuts. They have a relationship with the company, they go there every day. Dunkin' Donuts is using Twitter to communicate with those people. There are people who are finding value in that. There's thousands of people, I don't know how many thousands now, following Dunkin' Donuts.
Every time I try to set something in Chicago, I get intimidated by 'Augie March.' It's easy to set something in Indianapolis - we don't have 'Augie March' here. But I love writing about Chicago, and I love being there and imagining lives in Chicago. I hope to set something there in the future, but it's intimidating.
They still talk about the night that Augie Pabst, a fresh-faced heir to the brewing fortune, drove a rented Falcon into the swimming pool of the Mark Thomas Inn in Monterey, California. His reviews were so good that he repeated the act at a Howard Johnson's outside Denver.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
I am an artist who's just tryin' to do something different, and basically not caring about everybody's opinions and wanting to follow what everybody else is doing. At the same time, I know when to be serious, but I know when to joke.
The scene in the DMV now is very united. I don't know if it's for everybody but everybody is showing love, everybody is showing support. Everybody is just trying to make a name for themselves and they are willing to help other people. Everybody is willing to network and do things with people outside of who they know.
Everybody is looking at their base business and saying, "What else is it? Sure, we do this, but while we're doing that, what else do we know about our customer, and what does that enable us to do?" That comes from the access to information and the ability to analyze it with a speed they never had. I think everybody is thinking that way.
What keeps me up at night? Probably most, thinking about the future for my kids. It sounds kind of funny, but not so much what they're going to do, but how as a parent, how my wife and I as parents, how best we should prepare them for the world. And I know everybody does this, I think everybody stays up at night thinking about the best thing for their kids, and astronauts are no different.
I don't think any of us ever trusted Nashville. When you're in that town you know everybody is talking about everybody else. Everybody is wishing for the other guy to fail.
I have always believed that the key to a happy marriage was the ability to say with a straight face, 'Why, I don't know what you're worrying about. I thought you were very funny last night and I'm sure everybody else did, too.
I make films because I am endlessly fascinated by people. I'm fascinated immediately to know about the lives that are going on around me. That is what drives me. And that is because everybody matters, everybody is there to be cared about, everybody is interesting and everybody is the potential central character in a story. Judging people is not acceptable.
I don't know what's coming next and neither does anyone else. It's something that we do have to face but the thing is that a lot of people don't want to face it. And there's denial. If somebody says it, like me, everybody feels a little better that they can discuss it.
It's necessary to know that everybody won't see it. That everybody won't join you, that everybody won't have the vision. It's necessary to know that. That a lot of people like to complain but they don't want to do anything about their situation. That you are UNCOMMON breed.
I get asked that a lot: "What do you think your role is, with all the people that look up to you?" I'm an entertainer, you know? I'm not trying to bombard anybody with anything, but at the same time, face-to-face or in real life, if I'm talking to some kid, I have opinions just like everybody else does.
That certain snobbery of certainly the Parisian - combined with a complete denial of your historical legacy, is just awful. That's a funny thing about France. Saul Bellow wrote somewhere that he saw right through the French. He lived there. He wrote The Adventures of Augie March in Paris, and there's no one better than him to say what's unbearable about the French.
You just never know when somebody's gonna die. It could happen at any moment so you've got to really treat everybody that way. Just really let everybody know how you feel about them.
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