A Quote by Steve Kornacki
With writing, obviously you can really take the time to crack what you're going to say and build to a big point.
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I can't be any more addicted to it than I already am,"Jamie said slowly, as though he'd rehearsed this, and then waiting for a cue Nick obviously had no intention of giving." Think about crack!" Jamie added, clearly struck by insperation. "Yes! It's like I'm a crack addict, and you're my friend the drug dealer who gives me crack for free, and I know you're just trying to be a good friend, but every time I think 'Wow, this crack might be a little bit of a problem for me,' you're there to say, 'Have some more delicious crack.' Am I making sense?" Nick stared."Hardly ever in your life.
I'm not going to go out there and set the world on fire and win my first race. People have to understand that. It's going to take time. It's going to take a lot of learning. I think eventually we'll obviously get better with time.
I spent a lot of time doing really unimportant work as an actor. It was important when I started writing that I obviously make it entertaining, or no one is going to go see it - but to really make you think, that is my goal.
I had never understood quite so clearly the effective power of Jane Jacob's writing - no, her clear-headed observation - as I did reading “What We See”. Maybe that's really the point of writing. That if you take the time to look, to really observe, then you see what is happening, and, with the clarity of that vision, you can act to save neighborhoods.
As recently as the '70s, people were forced to see information that they didn't agree with in newspapers and the like. Now there is so much information you really can build your own walled garden that just has the stuff that reinforces your view. I think it applies to all of us. People are really going into these separate camps, and that's the big social challenge in this age of too much information. How do we crack that and create a common dialogue?
Greg never knows anything I'm going to say before the show, so when he's reacting to me it's completely off the cuff and we obviously never know what the contestants are going to say at any point.
He's brilliant. At first, I thought, 'Oh, is he going to be Hollywood stud-like?' But he's a really kind, wonderful person. He said to me one day early in the making of the movie, 'You know, I was kind of worried about you'. He thought I was going to be a perfect skin, which I am certainly not. It didn't take long for Leo to crack and see who I really am, and we became very close. but, I must say, he is absolutely gorgeous.
As an actor, I enjoy variety. That's a big thing for me. So, if I'm going to put my name to something and commit to something that's going to take up a lot of my time, it has to be something that I know is going to be enjoyable and worth my while. Otherwise, what's the point?
Let's say that life is this square of the sidewalk. We are born at this crack and we die at that crack. Now we find ourselves somewhere inside the square and in the process of walking outside of it. Suddenly, we realize our time in here is fleeting. Is our quick experience here pointless? Does anything we say or do in here really matter? Have we done anything important? Have we been happy? Have we made the most of these precious few footsteps?
It’s the opening of Manderlay in Cannes, and I’m sitting next to this guy who’s writing for a tiny fictitious French paper called ‘On the Sunny Side,’ and he’s writing a review on the film, and he’s obviously bored. Then he tells me about all the cars he owns, and how rich he is, and all these things... So, at a certain point, he says, "So what do you do?" Then I take out this very strange hammer we have in the Danish building business, and I say, "I kill." And then I kill him. It is as stupid as it sounds.
I think that writers are best served by sticking to their writing. Not having loads of theories about the best way to position the writing. I think that if the writing is good and the point of view is strong, the writing is going to take care of itself.
I feel like what we love to do is solve problems. If it's easy to solve, we find a more difficult one. There's always a way. In our world, we can build stuff. We can build more sets than you could ever build in live-action. We can build more props just for custom angles or perspectives. We'll build special trees for that, paint a sky. There's really no limitations, except that you run out of time and money at some point.
The wall is going to to take a while. Obviously [Donald Trump] is going to build it.It's a campaign promise; he's not going to break a campaign promise.
While I was writing 'The Big Girls,' I had to take a big breath each morning and calm myself sufficiently to once again enter that world. But friends tell me that it is the only thing that really interests me. They say that I like to be upset.
To really disrupt a big market, you have to look at the marketplace from a long-term perspective. You have to move very fast but knowing that disruptive solutions just take time to build.
Obviously it's much easier to say that you're going to follow your passions when you're financially secure, but at least we can take solace in the fact that we now have the time to pursue the things that we really want to pursue because now the option of doing things just for the money isn't necessarily there.
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