In 1968 I ran into Steve Lacy on the street in Rome. I took out my pocket tape recorder and asked him to describe in fifteen seconds the difference between composition and improvisation. He answered: "In fifteen seconds the difference between composition and improvisation is that in composition you have all the time you want to decide what to say in fifteen seconds, while in improvisation you have fifteen seconds." His answer lasted exactly fifteen seconds.
What I learned most was how to tell a story in 15 seconds or 30 seconds or 60 seconds - to have some kind of goal of what to try to do and make it happen in that time.
The very first pharmaceutical commercial I ever heard was 15 seconds of the product and 45 seconds of side effects, so I know that this cannot be good for you.
We play a beat for 15, 20 seconds and know if we want to get on it. When we record a verse, it's no more than 15, 20 minutes. We don't have a pen and paper. We bounce off each other.
Because anybody can find their fan base through the Internet, it opens opportunities up for talented people along with people like Rebecca Black. It makes you more choosy and also more receptive to absorb anything for 15 seconds - let alone 15 minutes - to decide what you think about it.
I had an Aston Martin phone worth ?15,000 given to me as a present. I dropped it in a gin and tonic about 15 seconds after opening it.
Maybe it's a compliment to the film that you can't do that with it, that it can't be explained in 15 seconds.
I have pictures of my daughter, in the hospital, at three seconds, six seconds, nine seconds, and then fifteen seconds, 'cause dumbass couldn't get the camera ready fast enough. Yeah, ha ha ha. She wrote that in the photo album.
It only takes around 60 seconds to cast your vote in the polling station. 60 seconds to protect the economy, 60 seconds to protect your jobs, 60 seconds to protect the services your family relies on. A lot is at stake during those 60 seconds.
I'd rather hold one note for an hour and modulate it so that it means something than play 3,000 notes in 15 seconds.
Tom is back on a flight at 6:15 P.M. That is 6:15. Do you get it? Not 6:00 P.M. but 6:15 P.M. And do you know how many minutes that is? I do. I have also become a Time Lord.
I hate doing Tabatas - you do whatever you want at high intensity for 20 seconds, and then get a 10 second break and you repeat that for 8 minutes. So you can do jumping jacks for 20 seconds, you can do sprints for 20 seconds, etc. It's supposed to help you get your endurance up really fast.
We can guarantee you that 15 to 30 seconds of any of our songs are going to be good. The rest, we can't guarantee.
That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.
When I was growing up, hand washing was a ritual, but now it's a necessity. A child dies every 15 seconds from preventable causes, which has got to stop.
I have a lot of reactions to the outside world that I don't feel like would be appropriate for songs: things I'm not interested in writing about, things I don't want to think about any longer than 15 or 20 seconds.