A Quote by Steve Lacy

You can work on the saxophone alone, but ultimately you must perform with others. — © Steve Lacy
You can work on the saxophone alone, but ultimately you must perform with others.
Any man who is really a man must learn to be alone in the midst of others, to think alone for others, and, if necessary, against others.
You know, when men perform in combat, they're expected to perform well. That's part of being masculine. And when one of them doesn't perform well, that man alone has let the team down, and that man alone is judged for it.
The saxophone was created to mimic the human voice and I think that's why I gravitated toward the saxophone eventually. I'd loved the clarinet, but there's something about the saxophone that just grabs you.
I feel I must live alone, alone, alone - with artists only to touch the door. Every artist cuts off his ear and nails it on the outside of the door for the others to shout into.
I was [ on Thelonious Monk International Saxophone Competition] with Ralph Bowen, and Joel Frahm, Jimmy Greene, John Ellis. You can't play the saxophone better than any of those guys play. So many of those things that those guys could do I wish I could do now, let alone then.
If I am transparent enough to myself, then I can become less afraid of those hidden selves that my transparency may reveal to others. If I reveal myself without worrying about how others will respond, then some will care, though others may not. But who can love me, if no one knows me? I must risk it, or live alone. It is enough that I must die alone. I am determined to let down my walls, whatever the risks, if it means that I may have whatever is there for me.
There are other artists out there, in which some like to write and others like to perform and others like to talk, but I really just love to perform and entertain.
The mind must be developed by you alone. There is no way for others to do the work and for you to reap the results. Reading someone else's blueprint of mental progress will not transfer its realizations to you. You have to develop them yourself.
The further you go in writing the more alone you are. Most of your best and oldest friends die. Others move away. You do not see them except rarely, but you write and have much the same contact with them as though you were together at the café in the old days. You exchange comic, sometimes cheerfully obscene and irresponsible letters, and it is almost as good as talking. But you are more alone because that is how you must work and the time to work is shorter all the time and if you waste it you feel you have committed a sin for which there is no forgiveness.
Much unhappiness comes from walking alone. When there are several, it's somewhat different. I must get into the habit of listening to others, for what the others say concerns me, too.
When you play a sax, that saxophone is irreverent. It's noisy; it's a trickster... you cannot hide the saxophone in your hands, so it's a good teacher.
Ultimately your job as an actor is to perform however you're being asked to perform and there's many different procedures as an actor that you're going to run into that you should be prepared for and be ready to go to work and do the best you can and give the director the best thing you can to hopefully give him things on that day that could be shot preserved and out into a canned, then when they go into the editing room that's where a movie's made.
We are all alone, born alone, die alone, and -- in spite of True Romance magazines -- we shall all someday look back on our lives and see that, in spite of our company, we were alone the whole way. I do not say lonely -- at least, not all the time -- but essentially, and finally, alone. This is what makes your self-respect so important, and I don't see how you can respect yourself if you must look in the hearts and minds of others for your happiness.
I haven't a single friend; I must live alone. But well I know that God is nearer to me than to the others of my art; I associate with Him without fear, I have always recognized and understood Him, and I have no fear for my music,-it can meet no evil fate. Those who understand it must become free from all the miseries that the others drag with them.
We are ultimately alone in that we are ultimately responsible for ourselves.
Your ears are yours alone. Tell others what you alone can hear. Your voice is yours alone. Tell others what only you can say. Your eyes are yours alone. Show others what only you can see.
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