A Quote by Steve Lacy

I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's up to you, the only limit is the imagination. — © Steve Lacy
I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's up to you, the only limit is the imagination.
There is almost no limit to the possibilities of the imagination, but to get the full power of it, one must trust one's imagination. If you say to yourself constantly, as the mother says to the child, 'But this is only play; this is not real,' you never can make real the things you have created in thought.
So I'm looking to the saxophone as a resource which has its own unique set of possibilities. I'm looking to exploit them and develop them and have the fullest range of possibilities of the saxophone be known.
It's great to hear someone really care for the soprano saxophone.
I heard Sidney Bechet play a Duke Ellington piece and fell in love with the soprano saxophone.
I think there are many people in the working class who say, you know what? Yes, maybe we are better off than we were eight years ago, but I am still working two or three jobs, my kid can't afford to go to college, I can't afford child care, my real wages have been going down for 40 years. The middle class is shrinking. Who's standing up for me?
I don't know if the scripts are changing so much. I mean, I've been working for almost 25 years and made over 40 films and I worked with my first female director, on a feature, "Planetarium". And it's still the only one.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first.
I talk to my typewriter and that is what I've been working on for 40 years-how to write for talking.
I'm 40 years old now and I have my friends from five years old up to 40, over 20 lifelong friends I have. And you can't keep that. You can't have that kind of friendship with people for 40 years from childhood friends if you're not an honorable person and if you're not a respectful person. And that's exactly what I am.
The goal for my girls and me has always been about beauty and fashion. Before we ever had the shows, my mom had a store for 40 years in La Jolla, and I grew up working there.
You look at the descriptions of Whitey by law enforcement during his early years, and they sum him up pretty well. He was the same guy 40 years later; he just had $40 million more, and had committed 40 more murders.
I had been working in colour for ten years or so and looked at digital and liked the possibilities it gave me.
The only person who can limit your possibilities is you.
The Iranian regime has been terrorizing the Middle East for 40 years. They've been the aggressor for 40 years. And finally this president, President Donald J. Trump, said 'enough is enough.'
The saxophone was created to mimic the human voice and I think that's why I gravitated toward the saxophone eventually. I'd loved the clarinet, but there's something about the saxophone that just grabs you.
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