A Quote by Steve Lacy

I still love the whole history of jazz. The old things sound better than ever. — © Steve Lacy
I still love the whole history of jazz. The old things sound better than ever.
Granted the endless variations of moral customs, still the essential standards persist. As in a scientific laboratory, all else may change but the standards are unalterable- disinterested love of truth, fidelity to facts, accuracy in measurement, exactness of verification-so, in life as a whole, the towering ethical criteria remain unshaken. Falsehood is never better than truth, theft better than than honesty, treachery better than loyalty, cowardice better than courage.
Every man of sound brain whom you meet knows something worth knowing better than yourself. A man, on the whole, is a better preceptor than a book. But what scholar does not allow that the dullest book can suggest to him a new and a sound idea?
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
Take an old man's word; there's nothing worse than a muddle in all the world. It is easy to face Death and Fate, and the things that sound so dreadful. It is on my muddles that I look back with horror - on the things that I might have avoided. We can help one another but little. I used to think I could teach young people the whole of life, but I know better now, and all my teaching of George has come down to this: beware of muddle.
Childhood, all me influences were, say, between the time that I can remember, which would have been about three years old to the time that I was about five or six years old, all the music that I ever heard was jazz and it was American jazz, and it was big-band jazz, to be more defined.
I think that Liverpool's particular modern history lends itself to the cinema better than London in many ways. When you go to Liverpool, you absorb that whole sound and humour.
People who love jazz musicians love us when we play what we want to play and we're starving. But as soon as you commercialize your sound like Wes Montgomery did, the jazz fans and the critics are down on you!
I have a difficult relationship with jazz. My parents really love it, and I went to a school where jazz was considered the best thing ever, so I had to leave it be for a long time. But now I'm rediscovering it. I'm approaching jazz in a different way.
I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.
I have always loved jazz music and as a teen growing up in New York City and then later on as an adult have great memories of the jazz clubs that were all located on 52nd Street. I still catch as many jazz shows as I can when I am in New York. And when I perform, I have my jazz quartet by my side. Jazz musicians keep things spontaneous and very "live," which is the way I like to perform.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I'm only 49 years old. I'm still in the middle of this whole thing. I don't feel like it's finished at all. I'm still planning to write better songs.
I always tell people that, just to be a bad jazz musician, you have to be better than most musicians. The worst jazz musicians are normally better than most musicians, because you have to know so much.
Jazz is the type of music that can absorb so many things and still be jazz.
I don't have and have never had an email address. I'm old school. But as far as downloads go, my only objection is I like the sound of CDs better, so I buy those. I think the sound quality is better.
I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio.
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