A Quote by Steve Lacy

I heard Sidney Bechet play a Duke Ellington piece and fell in love with the soprano saxophone. — © Steve Lacy
I heard Sidney Bechet play a Duke Ellington piece and fell in love with the soprano saxophone.
We were the first small American jazz group since Sidney Bechet in 1927 to play for the public in Moscow and Leningrad.
I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio.
I have my granddad's record collection, which I treasure, and my father's - Rolling Stones to Sidney Bechet.
I could turn on my radio in the morning when I was getting dressed for school and hear Frank Sinatra and Duke Ellington and Benny Goodman and think this is the music. Now that music is art. Ellington is art. At that time it was just what you heard on the radio. Cole Porter was just a guy who wrote pretty songs and Billie Holliday would sing them.
[I wanted] to play the clarinet well so I could be in Duke Ellington's band, but that's now impossible.
I used to play too with a boy who played a saxophone. We didn't play no blues, we'd play a lot of love songs - 'Stardust', 'Blue Moon', 'Out Cold Again', 'Sophisticated Lady', 'Stars Fell On Alabama', a lot of different stuff.
My mom loved rock n' roll. My father hated it. We couldn't play it when he was around. He liked classical music and Duke Ellington.
As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.
I remember the night when I was playing at Birdland, and Duke Ellington walked in wearing that cap of his and with all his elegance. The Duke then came backstage, and I was there with my band. That's the one thing I miss.
Have you ever heard of 'Guess Who's Coming to Dinner?' I would like to play Sidney Poitier's role - I love that role.
I especially like Duke Ellington jazz, which is a little more... I lived in New York for a while. I lived in Harlem for a bit, and I just fell in love with the idea of that era of New York, that jazz era, especially jazz in Harlem.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
When I was young, I never bought records because my brother Joseph played saxophone and had a record player. I loved listening to his records: The Dorsey Brothers, Duke Ellington, all the big American jazz bands, and vocalists like Ella Fitzgerald, Ernestine Anderson, and Kitty White, a singer from the US who was a friend of Nina Simone. Nobody in America seems to know about her, but she was quite popular in South Africa.
It's great to hear someone really care for the soprano saxophone.
My teachers are Duke Ellington and nature.
...he went into the sitting room, put on a Duke Ellington record he had bought after seeing Gene Hackman sitting on the overnight bus in The Conversation to the sound of some fragile piano notes that were the loneliest Harry had ever heard.
This site uses cookies to ensure you get the best experience. More info...
Got it!