A Quote by Steve Lillywhite
Lili manages to mix Kate Bush with modern influences to make a beautifully unique sound based around her amazing violin skills and soulful voice.
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But Stacie Orrico was my childhood hero. I was about 12 when I found her music. She is a contemporary Christian artist, and I can honestly tell you that I don't think I'd have a soulful voice if I didn't listen to Stacie. I wanted to sound just like her growing up, and to this day I STILL think I sound a little bit like her. But she is AMAZING!
I listened to a lot of Amy Winehouse: her albums 'Frank' and 'Back to Black'. She was such an incredible artist. She was just so raw and had her unique sound; she paired jazz with pop and was so soulful at the same time. So I pulled from her a lot in the beginning.
However beautifully you play the violin, you can always play the violin even more beautifully again.
[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].
I believe we're all endowed with a very small set of narrow skills that make us unique. You've got to find what that is. Most often what you truly understand makes you unique is something that you're also going to build passion around.
We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
When I did my rock band, I pined for a more soulful sound. I wanted music that was very melodic and blues-based.
Kate Bernheimer's fiction offers a unique and delicate gift, the tempting mirage of a grace that constantly escapes. The Complete Tales of Merry Gold is an exceptional, lovely book, beautifully enigmatic, speaking a language that mysteriously evokes the unspoken.
I didn't know what kind of sound I wanted to make. I didn't have no influences. I just heard my voice in the microphone and was like, damn, I like that.
The voice sank through luce's skin and straight into her heart. Daniel's voice. He was calling to her. He wanted her. Needed her. Luce moved towards the sound
I'm so proud to be on a Kate Bush record; she's always marched to the beat of her own drum.
Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.
Sara: "You are so brave," I tell her, and then I smile. "When I grow up, I want to be just like you." To my surprise, Kate shakes her head hard. Her voice is a feather, a thread. "No Mommy," she says. "You'd be sick.
Hello Rush," she said, breaking the silence. The sound of her voice almost sent me to my knees. God, I'd missed her voice. "Blaire," I managed to say, terrified that I'd scare her away just by speaking.
Some people are natural beauties, some have great style, but sometimes it comes from talent. Take Kate Winslet: I was listening to her speech at the Golden Globes. That woman has so much intensity. She's amazing to watch and to listen to. With some people, it can even be their voice that makes them attractive.
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