A Quote by Steve Lukather

As a session player for so many years, I have found myself in rooms looking around going, 'Is this for real?' — © Steve Lukather
As a session player for so many years, I have found myself in rooms looking around going, 'Is this for real?'
I'm a major feminist. There's a real politic in life, where I've been in rooms where real decisions are made, and it's a lot of powerful white men. There are women in those rooms, but not as many as there should be.
The earth's biosphere could be thought of as a sort of palace. The continents are rooms in the palace; islands are smaller rooms. Each room has its own decor and unique inhabitants; many of the rooms have been sealed off for millions of years. The doors in the palace have been flung open, and the walls are coming down.
But I was so wrapped up in sports growing up as a kid, that I think I was going to grow to be a pro ball player. But I found out real quick that was not going to happen.
It has happened a few times that I've found myself in a surprise mid-tour recording session.
In photos, I don't know who the real me is - it's all pretend, just pretend. There's not much of myself in my work. If I'm looking in the mirror and I'm working, I'm looking at my make-up and my hair. It's not the same as looking at myself.
Freed from the pressure of haste, the tyranny of film, and now the restraint of clothes, I found myself looking more closely at what went on around me.
I am very happy at Real Madrid, it is the team that formed me as a player and I hope I can stay for many years.
A photographic session is a joint, interpersonal exchange, a kind of creative encounter session at a high level of intensity. For me, photography is more a process of creating an experience than one of looking for pictures.
Playboys' was an authentic junkie record. Art Pepper was just out of jail, Chet was arrested a week after the session, and piano player Carl Perkins would die two years later. When the record was recorded I was behind bars myself. In 1955 I was caught with narcotics and had to serve almost five years. Luckily, I was allowed to keep my saxophone in the cell, and I composed a lot during the time. They had to come fetch the music for Playboys from jail.
I kind of had to convince myself when I was playing for the Washington Freedom that this was the highest level that I'm going to reach. 'I'm going to be a professional player, and I'm going to try and be the best one I can be, but it's maybe just not in my cards to be an international player. I won't play in a World Cup.' That was hard for me.
I have a pretty big TV background, and I have clocked so many hours in so many writers' rooms over the years.
I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.
I've endlessly found myself in rooms of men and had the experience of feeling I wasn't being heard. It's a confidence thing.
We've had real strong aboriginal male artists who've crossed over to the mainstream who have toured the U.K., who have been a massive influence on myself and many, many communities around Australia.
America’s drug problem is not going to be solved in courtrooms or legislative hearing rooms by judges and politicians. It will be solved in living rooms and dining rooms and across kitchen tables – by parents and families.
You're going to have disappointments. But how you handle those disappointments is the important thing for you and everybody that's around you. That's what I found from being not only a player but also a coach.
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