A Quote by Steve Lukather

We always felt it helped during live shows to have multiple lead singers to give our voices a break. — © Steve Lukather
We always felt it helped during live shows to have multiple lead singers to give our voices a break.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
It's always beautiful to sing with other great voices. I like voices in general. It's a big privilege to have great singers next to me.
There are a lot of singers who cannot sing to save their lives. We have to accept it, but thank God there is such a thing as live shows. It's only when people are faced with live shows that the world gets to know how good or how bad they are.
As a novelist, your impulse is toward multiplicity: multiple voices, multiple perceptions, multiple nuances, the ambiguity in human communication. Fiction really is the ultimate home for that sense of ambiguity.
To women, drummers seem like these adorable, sexy Neanderthals, but lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.
To women, drummers seem like these adorable, sexy Neanderthals, and lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.
Things break all the time. Day breaks, waves break, voices break. Promises break. Hearts break.
Things break all the time. Glass and dishes and fingernails. Cars and contracts and potato chips. You can break a record, a horse, a dollar. You can break the ice. There are coffee breaks and lunch breaks and prison breaks. Day breaks, waves break, voices break. Chains can be broken. So can silence, and fever... promises break. Hearts break.
I have always felt my role was to do anything I could to enable the powerless to speak. I want America to hear these voices because they are beautiful voices.
The crowd response has always been great, we always have fun at the shows and we will definitely be back representing our album to give people entertainment with a stage show, most rap shows are boring.
My ambition was always to bag a lead role in a film, and hence, I refrained from doing any ads, TV serials, music videos, as I felt that a fresh face always works much better. It was a gamble, and I took that gamble telling myself that I will give it my all to bag a lead role.
Sometimes when you do voices next to each other, especially when you're first starting out, they tend to bleed into each other. Working on a show like 'Futurama,' we do multiple characters there, but we've been doing it for a while, so the voices are really well-defined in our heads.
All disco singers are non-professionals who can't do live shows. It loses what black people have created.
Yes, because as composers we are looking for textured voices, and often the singers we find are not trained to perform in a studio environment. So we need technology to doctor their voices to suit the format.
As a young man, I was a navy officer in Vietnam. I made $320 a month and would always give away $50 a month to a family I felt that was in greater need than me, in addition to my tithing to my church. I've just always felt in my heart, coming from a very humble background, that there are plenty of people who need a break in life.
In 2004, I shifted to Mumbai and started working in theatre, along with working for corporates for 15 years. That helped me a lot in creating a different character for multiple shows.
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