A Quote by Steve Mann

I started connecting things to my body during my childhood. I approached the computer as a mediating element, as a form of visual art. — © Steve Mann
I started connecting things to my body during my childhood. I approached the computer as a mediating element, as a form of visual art.
I haven't had the opportunity to study visual art, but it was always my first love when it came to artistic expression. I started drawing and experimenting with visual art when I was 5.
Creative expression is not just a means of getting attention, although some have approached art that way. Think of art as a way of connecting, of sharing your insights with others.
Because it's visual art, a lot of it comes from childhood experience but then a lot comes from the visual language - in advertising and stuff like that - which is around us.
As far as stimulus from the visual arts specifically, there is today in most of us a visual appetite that is hungry, that is acutely undernourished. One might go so far as to say that Protestants in particular suffer from a form of visual anorexia. It is not that there is a lack of visual stimuli, but rather a lack of wholesomeness of form and content amidst the all-pervasive sensory overload.
If you're speaking of love, you really must include the element of uncertainty - and perhaps it's best approached as the art of constant maintenance.
When you make art, those things change shape into something else. It's transformation into a body of different visual elements.
It's about the connecting force from form to form. It's the toe bone connecting to the shoulder bone. It's the bacterial kick of life force, something growing out of nothing, forming itself out of something else. Form never stops. And form is always environmental.
I don't know why a computer game can't be an art form just as a puppet show or an opera is. I'm still interested in computer games as something I would like to work on someday.
When I started in the comic book business, 'Art Of' books were strictly the provenance of the greats, like Rembrandt and Da Vinci. But times change, and so do attitudes. Now the comic is considered an art form, and I hope 'A Life in Words and Pictures' contributes a little to that art form's history.
All great art is a visual form of prayer.
What is the central core of the subject [computer science]? What is it that distinguishes it from the separate subjects with which it is related? What is the linking thread which gathers these disparate branches into a single discipline. My answer to these questions is simple -it is the art of programming a computer. It is the art of designing efficient and elegant methods of getting a computer to solve problems, theoretical or practical, small or large, simple or complex. It is the art of translating this design into an effective and accurate computer program.
Spirituality does not lie in meditating on the body of an ex-master. Spirituality exists in mediating on your own inner body.
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.
I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in 'The Summer without Men.' I also write essays about visual art.
As human beings we're visual creatures, and it's so easy to play the guitar by looking at it. It's a real challenge to go from that visual way of perceiving the guitar to getting back to that pure sound connecting to the instrument.
Literary genres and techniques tend to take form in one's mind somewhat the way computer templates provide form for different computer tasks.
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