A Quote by Steve Mariucci
Whether you're a quarterback and you just threw a pick, or you're a corner and you just got beat for a touchdown, you've got to have a short-term memory, shake it off and play the next play.
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Whether youre a quarterback and you just threw a pick, or youre a corner and you just got beat for a touchdown, youve got to have a short-term memory, shake it off and play the next play.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
To me, when you play in the middle of the field or when you play safety, you have to do so much communicating that you've got to kind of watch the whole offense. You can't just pick a guy or just pass plays.
Ourchestra: So you haven't got a drum, just beat your belly. So I haven't got a horn-I'll play my nose. So we haven't any cymbals- We'll just slap our hands together, And though there may be orchestras That sound a little better With their fancy shiny instruments That cost an awful lot- Hey, we're making music twice as good By playing what we've got!
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
If studies come out and show that playing football is detrimental to your health for the long term, even for the short term, I think that's up to the players then to make the decision about whether they're going to play or not play.
That straight man character is a short trip between comedy and drama in a project, so I can play the comedic beat on the same page as a dramatic beat. It gives me a lot of freedom as an actor to play scenes in multiple ways because I don't play the clown, nor do I play someone who is particularly maudlin.
I got my first guitar when I was 11. It was an electric, and I can remember just wanting to be Avril Lavigne! But I got annoyed with having to plug it in and play with amps and pedals and stuff. Then I got given a cheap acoustic, a Tanglewood, and I thought it was awesome because I could play it anywhere!
So, there's no guarantee in the NFL that if you've got the No. 1 pick or you've got a top-five pick, that you're going to be able to draft a franchise quarterback.
I developed a term that is used in the game right now called sacking a quarterback. Sacking a quarterback is just like you devastate a city or you cream a multitude of people. I mean it’s just like you put all the offensive players in one bag and I just take a baseball bat and beat on the bag.
We are footballers, so if you've got to play with someone, you've got to play with them. What happens off the pitch, well, you can't get on with everyone you work with.
If you have a lesion in the hippocampus in both sides, you have short term memory, but you can convert that short term memory into long term memory.
I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.
Compare the credit for a football touchdown, which might be shared by the receiver not only with the quarterback, but also with the linesmen who make crucial protective plays, etc. The success of the touchdown play depends on the receiver, it is true; but in a particular case it might depend far more on the work of others.
Paint pictures with sound. First, find your white-the deepest, roundest sound you can play on the guitar. Then, find your black-which is the most extreme tonal difference from white you can play. Now, just pick the note where you've got white, pick it where you've got black, and then find all those colors in between. Get those colors down, and you'll be able to express almost any emotion on the guitar.?
Yes, there are times where I might play one bad service game a set. If you look at Sampras, he might play one slightly suspect service game every three sets. So to beat someone like that you've obviously got to be right on top of your game. I've basically got to get rid of that in my game so it makes me very difficult to beat.
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