A Quote by Steve Martin

Comedy is not pretty. — © Steve Martin
Comedy is not pretty.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
I'm not at all funny. I can do dark comedy pretty well, but straight-up comedy, I don't know. I'm much darker. I've been like that since I was 3 years old
I'm not at all funny. I can do dark comedy pretty well, but straight-up comedy, I don't know. I'm much darker. I've been like that since I was 3 years old.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
For the first actual comedy-comedy I did, I took a comedy class in New York, which was full of slightly unhinged people. It was a pretty depressing crowd, very angry and strange people. But then I took a class at the Upright Citizens Brigade and I loved those people.
For the first actual comedy-comedy I did, I took a comedy class in New York, which was full of slightly unhinged people. It was a pretty depressing crowd, very angry and strange people. But then I took a class at the Upright Citizens Brigade, and I loved those people.
When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.
I grew up in a pretty strict household in the sense that we just didn't have cable, so I wasn't familiar with what stand-up comedy was. I remember telling my friends that I thought stand-up comedy was like the thing that happened before the episode of 'Seinfeld.'
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
The thing that still exists is that if it's at all possible for me to step outside the club after the show, because I still haven't encountered any comedy clubs that - legally they can't have weed smoking and alcohol at the same facility, pretty much in all the states that have legalized, that's part of the deal. And, unfortunately, comedy clubs make all their money from the selling alcohol part of it. So, since there are no venues I can smoke with the fans in, I step outside and pretty much every show I do there are some people out there and we have a nice little session.
Here's a woman, a real pioneer for other women looking for careers in stand-up comedy. And talk about guts - she would come out here and sit in this chair and say some things that were unbelievable - where you would have to swallow pretty hard... but it was hilarious... the force of her comedy was overpowering.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
A comedy scene can't really have two weirdoes in it. It doesn't make any sense that way, so you need someone to ground it and call out what's unusual about this person and this scene. Early on, I got pretty good at doing that, and I felt pretty comfortable doing that.
To do comedy, you have to be a pretty good actor to start with.
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