A Quote by Steve Martin
The streets of L.A. undulate over short hills as though a finger is poking the landscape from underneath ... laid over this crosshatch are streets meandering on the diagonal creating a multitude of ways to get from one place to another by traveling along the hypotenuse. These are the avenues of the tryst which enable Acting Student A to travel the eighteen miles across town to Acting Student B's garage apartment in nine minutes flat after a hot-blooded phone call at midnight.
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I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
I've always been a late bloomer in some ways, and extremely precocious in other ways. When I was twenty I was living in New York and working a job and could barely bother to be a college student and had my own apartment, but I couldn't possibly get married before I was thirty-nine.
When I'm teaching, I'm not really doing my job if the student who's always comfortable doing wacko stuff all over the page keeps getting gold stars from me for doing wacko stuff all over the page. A riskier assignment for that student, who might be used to hiding behind a lot of formal armor, would be to try to do something straightforward, traditionally, in which they are much more directly laid bare for the reader.
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
Ask yourself whether our language is complete--whether it was so before the symbolism of chemistry and the notation of the infinitesimal calculus were incorporated in it; for these are, so to speak, suburbs of our language. (And how many houses or streets does it take before a town begins to be a town?) Our language can be seen as an ancient city: a maze of little streets and squares, of old and new houses, and of houses with additions from various periods; and this surrounded by a multitude of new boroughs with straight regular streets and uniform houses.
I don't think about returning to the streets, 'cause I don't have any plans to return to the streets. I'm at another level in my life. Returning to the street - I still be in my streets when I get time to, when it's necessary.
A Student is the most important person ever in this school...in person, on the telephone, or by mail.
A Student is not dependent on us...we are dependent on the Student.
A Student is not an interruption of our work..the Studenti s the purpose of it. We are not doing a favor by serving the Student...the Student is doing us a favor by giving us the opportunity to do so.
A Student is a person who brings us his or her desire to learn. It is our job to handle each Student in a manner which is beneficial to the Student and ourselves.
I was a bad student. I liked archaeology actually, I was interested in maybe becoming an archaeologist but I was such a bad student and had such bad grades that I wasn't going to get into any really good college so I fell back on acting.
I've always known from the beginning of my acting career that you only get an acting job if you've got something to learn about it. If you don't do it well, you'll be condemned to doing the same role over and over and over again. If you do it mediocre, you'll have to do it again.
We're crazy about this city. First time we came here, we walked the streets all day, all over town and nobody hassled us. People smiled, friendly-like, and we knew we could live here. We'd like to keep our place in Greenwich Village and have an apartment here, God and the Immigration Service willing. Los Angeles? That's just a big parking lot where you buy a hamburger for the trip to San Francisco.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
I have a theory about that, if you have to say something, if you have encourage for one second a prospective acting student - he should not go in to acting.
I took theatre and stuff in college, then I took a bunch of different acting classes here in L.A. Sometimes when I have a hard audition, I'll call my acting coach and he'll come help me. I actually get more nervous in acting class than I do at an actual audition. It's actually a really great way to get over your nerves.
One thing I loved about New Zealand was the indoor/outdoor lifestyle of the place. I remember going from Xboxing, jamming out on guitars and drum machines in my buddy's apartment, to a bike ride through the parks and up and down the streets all over the city, to the ocean, right into the water. I remember we were swimming outer ways and we got to a certain place where we wanted to see - or I wanted to see - how deep the water was.
When I was a student, I was dressed like a modern girl and I wore long shorts. That is part of the past. There is fear in the streets. You cannot go out in the streets. You are looked at as if you come from another age. If there are any militias on your street, they will tell you to go back home and dress decently. They could beat you up or punish you worse than that. Some of us who have grown up in Baghdad are used to wearing what we please and walking where we please.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
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