A Quote by Steve Martin
Only then does he realize what he has done to Mirabelle, how wanting a square inch of her and not all of her has damaged them both, and how he cannot justify his actions except that, well, it was life.
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He’d spent his life being a perfect gentleman. He’d never been a flirt. He’d never been a rogue. He hated being the center of attention, but by God, he wanted to be the center of her attention. He wanted to do the wrong thing, the bad thing. He wanted to pull her into his arms and carry her to her bed. He wanted to peel every last inch of her clothing from her body, and then he wanted to worship her. He wanted to show her all the things he wasn’t sure he knew how to say.
You are my siren,” he said, running his hands along her thighs and down her calves, feeling the shape of her even as the silk of her gown kept them both from what they wanted. “My temptress . . . my sorceress . . . I cannot resist you, no matter how I try. You threaten to send me over the edge.
Life for women in ancient Greece was hard - you had to fight for every inch of ground you got. Both Thetis and Briseis are strong, passionate women and in another time and place their lives would have been very different. Part of the tragedy of their characters is how much they have to offer - and how little of that they get to realize. Thetis spends the whole novel fighting the limitations placed on her, desperately trying to eke out the best she can from a bad situation. This makes her fierce and terrifying.
God, I hate you,” she says. “So much. Why do boys think that it will be better to lie and tell a girl how much they loved her and how they only dumped her for her own good? That they only tried to rearrange her brain for her own good? Does it make you feel better, Cassel? Does it? Because from my perspective, it really sucks.
She lived in her past life — every letter seemed to recall some circumstance of it. How well she remembered them all! His looks and tones, his dress, what he said and how — these relics and remembrances of dead affection were all that were left her in the world.
So much wanting and longing, clutching, desiring, passion and hatred and terrible need. Here, death was suitable, there was room for it, the grip of life's relentless urges slackened, replaced by this icy simplicity. This wasnt her death. It was his. That was the sad and honest truth. Though it would stay with her, it would be more like a black onyx heart on a silver chain, worn privately, under her clothes, close to her body, all her life. The guilt, the beauty, everything. It wasnt over, it had only begun. Well ok then, Okay.
The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked… Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.
William strode to her. That’s how it’s done. Drink it in. She surveyed the carnage behind him. “Did you have fun?” He showed her his teeth. “Yes. Now they won’t take you anywhere.” Cerise stepped closer to him, so close he only needed to lean in and dip his head and he would kiss her. Since he saved her, maybe he could just grab her and— “That was the stupidest thing you have done since I’ve met you,” she ground out through her teeth. Belay the grabbing.
It is the perfect wrong time for Jeremy to do to Mirabelle what she had done to him - call him up for a quick fix - because;, in a sense, she is now betrothed. Her first date with someone who treated her well obligates her to faithfulness, at least until the relationship is explored.
Every wife who slaves to keep herself pretty, to cook her husband's favourite meals, to build up his pride and confidence in himself at the expense of his sense of reality, to be his closest and effectively his only friend, to encourage him to rejectthe consensus of opinionand find reassurance only in her arms is binding her mate to her with hoops of steel that will strangle them both.
Each petty hand
Can steer a ship becalm'd; but he that will
Govern and carry her to her ends, must know
His tides, his currents, how to shift his sails;
What she will bear in foul, what in fair weathers;
Where her springs are, her leaks, and how to stop 'em;
What strands, what shelves, what rocks do threaten her.
It was watching Madeline Alby eat cheese with every ounce of her being, like it was the first and best time, that made him realize that he had never really tasted cheese, or crackers, or life. And he didn't want his daughter to live that way. He'd moved her into her own room the night before...He hadn't slept well, and had gotten up five times during the night to check on her, only to find her sleeping peacefully, but he could lose a little sleep if Sophie could go through life without his fears and limitations. He wanted her to experience all the glorious cheese of life.
I'm Method trained. How is this character like me? What does she think of her mother? What does her mother think of her? It's like construction, and then, yes, you hope you're talented and that the universe aligns and captures the kind of laborer's work you've done and whatever else sprinkles down on you, and it's all caught on film or onstage.
In those days, I didn't understand anything. I should have judged her according to her actions, not her words. She perfumed my planet and lit up my life. I should never have run away! I ought to have realized the tenderness underlying her silly pretensions. Flowers are so contadictory! But I was too young to know how to love her.
He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked at her for the last and final time with eyes more luminous, more grief-stricken, more grateful than she had ever seen them in half a century of a shared life, and he managed to say to her with his last breath: “Only God knows how much I loved you
Every phase of our life belongs to us. The moon does not, except in appearance, lose her first thin, luminous curve, nor her silvery crescent, in rounding to her full. The woman is still both child and girl, in the completeness of womanly character.
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