A Quote by Steve Martin

I don't like to look back, and I'm always worried about the next thing rather than resting on the laurels or the degradations of the last thing. — © Steve Martin
I don't like to look back, and I'm always worried about the next thing rather than resting on the laurels or the degradations of the last thing.
I'm always hungry for the next thing. I'm never resting on my laurels.
I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.
I never work with a screen. Other photographers have this black thing around, and they go back and look at it. I'd rather spend the time with the subject, photographing or discussing or talking, than staring at this thing. I'd rather look at what's going on.
I try not to look back. I'm looking forward. I'm worried more about what I'm going to do next week than I am what I did last week. There are too many things to do. Looking back is for everybody else.
If you built a successful company the first time, it's really important not to fall into the trap of resting on your laurels and doing the same thing the next time. It's stepping into the unknown that enables you to create something fresh, new, and innovative.
The worst isn't the last thing about the world. It's the next to the last thing. The last thing is the best. It's the power from on high that comes down into the world, that wells up from the rock-bottom worst of the world like a hidden spring. Can you believe it? The last, best thing is the laughing deep in the hearts of the saints, sometimes our hearts even. Yes. You are terribly loved and forgiven. Yes. You are healed. All is well.
We're kinda always writing, so it's like we're always thinking about what's next, so that'd be a yes. We're always constantly wanting to get onto the next thing or the new thing.
I think age is sometimes just a number. But it's a real joy. Young actors don't come with any of the baggage that we load ourselves up with. They're not worried about their profile, they're not worried about how good they look, or all the nonsense. They just tell the story and ask: "What happens in this scene?" Well, I'll do that then. And professionally it's good for you because it means that you're forced to do the same thing, and that's always a good thing.
My mother always taught me never to look back in regret but to move on to the next thing. The amount of time people waste dwelling on failures rather than putting that energy into another project, always amazes me. I have fun running all the Virgin businesses-so a setback is never a bad experience, just a learning curve.
When you look out at somewhere like Hammersmith Apollo and all those people have come just to see you on that night, it's overwhelming. You can't rest on your laurels. This tour's got to be better than the last one because I want people to come to the next one.
If the NBA is worried about the NBA, if the NCAA is worried about the NCAA, if each individual institution is just worried about themselves, and the last thing we think about is these kids, then we're going to make wrong decisions. There are a lot of players of different levels, of different abilities. Let's be fair with them.
I suppose each project is a new thing, so there's all this excitement and nerves about this new thing. Every single thing is like a new thing, so it's never what I expect. I don't know what to expect for the next thing. There are always different people. It's interesting.
I've grown tired of resting on my laurels and have decided to start resting on my failures.
It's only when you look back sometimes and you look at some people in your life and you're like, Oh my god, there was something so pure about that. The thing that kind of bugged me, maybe, is the thing that's so unique.
Oh, there's no such thing as my favorite performance. I can't sit here today and look back, and say, Top Hat was better than Easter Parade or any of the others. I just don't look back, period. When I finish with a project, I say 'all right, that's that. What's next?'
This is very rare for anyone in life to pursue something and that thing being the thing you actually most want to do. It's all about the inner, rather than the outer. Whether people like or don't like my work, read it or don't read it, it's just been a gift from the gods that I've been able to sit at my desk for the last almost 50 years and do the things I've wanted to do.
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