A Quote by Steve Martin
I loved doing 'Pennies from Heaven.' Because you have to understand that I'd been doing comedy for 15 to 20 years, and suddenly along came the opportunity to do this beautiful film. It was so emotional to me. I loved it. I don't think it was a good career move, but I have no regrets about doing it.
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I started doing stand-up when I was 15 and doing Letterman when I was 20. So I've been doing stand-up comedy and clubs for over 30 years. That's a long time.
I have been doing marriage counseling for about 15 years and I realized that what makes one person feel loved, doesn't make another person feel loved.
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers.
I've loved to be a part of anything, having an opportunity to entertain, to be a part of a film, or just continue to do what I'm doing, I'm so happy, so just making town after town, doing my thing, but if I have that opportunity to star in a film or be an extra, I don't care; its all a learning experience for me.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
I loved Peter Sellers. I thought he was the perfect mix of physical comedy with out-of-the-box humor. I loved his tone; I loved his physicality; I loved everything about what he was doing as a comedic actor.
I think if you've won one, quit while you're ahead. I loved doing it, though. If you get an opportunity that great, grab it, as it won't come along again. Until I read in the papers I did it to 'rescue my career'.
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voice-overs.
You do stand-up because you have to do it. If you're doing it to become 'famous,' you're wrong. If you're doing it to become a millionaire, you're doing it for the wrong reasons. In 2003, I was flat broke. I'd been doing stand-up for 14 years at that point. I loved it and just kept at it.
My wife and I were poor when I started but we struggled along until things happened for me in my thirties. I knew I was doing what I loved even if I wasn't getting paid for it, so I think I'd still be doing it.
I give all the credit to God, he's the one who keeps me healthy and I'm just doing what I'm doing. I love this sport. When I got into it I loved it and I've loved it since I was a young child. I'm one of those fighters that just really loved to fight and I embraced it.
Live theatre is great. I loved doing the League live because you get that element of spontaneity, but then when I'm doing live I start to crave the precision of filming. It's a different discipline; it's like a scalpel and you're very precise suddenly. It's scary as well because you think this is it, this is my one go at making it if I can the best it can be, because this is how it's going to be remembered and rendered and left on this film indelibly. And people are going to look back on this and that's that.
I bought my first horse when I was 15. I always loved racing and I started studying about breeding and I've been doing it now for 30 years, so I have some credibility.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
It used to be trained professionals doing animation and they were great. Now they have celebrities and famous actors doing the voices, but that does not always work. But I think this film turned out really well, partly because the three of us (me, Ray and Denis) are comedians who are used to doing solo acts and doing certain types of voices. The three of us are New York guys, we all came up the same way in the profession and we are all edgy and enjoy doing family movies. It was a good combination I think.
My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.
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