A Quote by Steve Martin

When I was in college, I really liked poetry. I don't read much anymore. — © Steve Martin
When I was in college, I really liked poetry. I don't read much anymore.
I never really liked poetry readings; I liked to read poetry by myself, but I liked singing, chanting my lyrics to this jazz group.
When I was in school, I was very much into just sports, mostly basketball, and didn't really see myself as much of a student. But once I got into college, I figured I wasn't going to be play beyond college. I started to think what was I going to do, since I wouldn't be able to make a living with basketball. There were a couple of things I liked to do. I wrote poetry, spoken word mostly.
I never really liked "cool" books. I plowed through as much Borges and Joyce as possible, read the first half of V. and spent whole Bar Mitzvah checks on Beat poetry.
I was an English major in college, so I really liked spoken word and poetry; it was what I did before I wrote music.
I read one Jane Austen in college and didn't like it at all and told everyone how much I disliked it. I read 'Northanger Abbey' sophomore year in college and hated it. I didn't read good Austen until after college, maybe a couple years out.
In high school I was very much involved in poetry. You cannot read a poem quickly. There's too much going on there. There are rhythms and alliterations. You have to read poetry slow, slow, slow to absorb it all.
One of the interesting things about the history of poetry in the 16th, 17th, and 18th centuries is that people who read liked getting their information in rhyme just as much as in prose. The genre that we would think of as nonfiction often was written in verse in forms like the Georgic when people thought that one of the tasks of poetry was conveying arguments and information in a pleasant way.
I don't really have a bucket list, but if I did, one entry would be to dust off my college Russian and spend a big chunk of a year reading, or trying to read, 'War and Peace' as it was meant to be read, in Russian, with all that rumbly rocks-on-rocks poetry inherent to the language.
I read usually in the morning, in my kitchen at breakfast - a short reading time, usually poetry. I read in bed every night. I usually get in bed pretty early with a book, and I read until I can't prop my eyes open anymore - sometimes rather late.
I guess it really didn't even dawn on me that you could be a rock critic as a job until I was maybe almost out of college. I knew criticism existed. I read Rolling Stone and Spin. Siskel and Ebert were on television. But I had absolutely no idea how to get that kind of life. And moreover, it didn't interest me that much. I just sort of read normal books growing up. I wasn't that media-conscious. I felt like the one thing I was able to do was to listen to a record and decide whether I liked it.
I've always just liked writing poetry, but it's much later that I've discovered that there's this whole poetry world out there, that you almost have to be accepted into, like this little club.
I've had a tough time with Pynchon. I liked him very much when I first read him. I liked him less with each book. He got denser and more complex in a way that didn't really pay off.
For a lot of people, poetry tends to be dull. It's not read much. It takes a special kind of training and a lot of practice to read poetry with pleasure. It's like learning to like asparagus.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.
I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.
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