A Quote by Steve Martin
I like the idea that one thing leads to another. You can tweet something completely innocuous, and then find yourself going off on a tangent that's inspired by a response.
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It's one thing to make peace with the idea of something that's going to happen someday; it's another to find yourself at that day.
I don't Tweet a lot because I've Tweeted things that I thought were really innocuous about subjects that are inflammatory, and the response is so insane sometimes from people.
Being inspired is one thing, but completely knocking off a design is another. There is a big difference.
Everyone's going to have a racist tweet, a homophobic tweet, a xenophobic tweet, a misogynist tweet. Everyone's going to have a tweet or a post or something that's not going to be ideal, and because of that, you can't really throw stones too hard at the people that do, because if we examined your life in every way, shape, or form, went through every single post with a fine-toothed comb and under that microscope, would it come out all sunshine and lollipops?
I did once leave one of [my kid] watching something on YouTube, something completely innocuous, and I went out of the room and the algorithm kept playing the next thing and the next thing and somehow worked its way around to showing him the trailer for John Carpenter's The Thing - at which point I walked back in. He wasn't happy.
You can go to these chat-lines. It's not hard it's really easy. Another thing the show makes clear is not talking about these issues is what leads kids to go on the Internet and find out the information themselves. And then they come across people like Mr. Healy wanting to meet them in the park. That's what leads to these kind of more-dangerous things.
The idea of wanting to do something that's completely natural and then having to repress it is something that I find fascinating.
Guilt is not a response to anger; it is a response to one’s own actions or lack of action. If it leads to change then it can be useful, since it is then no longer guilt but the beginning of knowledge. Yet all too often, guilt is just another name for impotence, for defensiveness destructive of communication; it becomes a device to protect ignorance and the continuation of things the way they are, the ultimate protection for changelessness.
I do like the idea that tomorrow I might find out that I'm going to be doing something that is completely unknowable today. I think it forces you to live in the moment in a very good way.
I'm inspired when I find out about something that I didn't know was a remake. An example is, of course, stuff like 'The Fly,' or 'The Thing,' or even 'The Blob.' For our generation, all those things, whether it was 'The Blob' or 'The Fly' or something else, we had no idea they were remakes.
Express yourself completely, then keep quiet. Be like the forces of nature: when it blows, there is only wind; when it rains, there is only rain; when the clouds pass, the sun shines through. If you open yourself to the Tao, you are at one with the Tao and you can embody it completely. If you open yourself to insight, you are at one with insight and you can use it completely. If you open yourself to loss, you are at one with loss and you can accept it completely. Open yourself to the Tao, then trust your natural responses; and everything will fall into place.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
The devices that our kids use are shipped from the factory with every possible audio, visual or vibration alert switched on. Each new app, website, tweet and message adds another layer of intrusion - each intrusion is cynically designed to get a response, and each response creates an appetite for another intrusion.
I know I'm going to send my three kids off to college someday. I know my parents will pass away someday. It's one thing to say, 'I'll be able to deal with that day when it comes,' and it's another thing to find yourself at that day, dealing with it.
The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.
I don't have some songwriting formula that I kinda go by. Usually it just comes by way of inspiration. Sometimes I'm inspired by a melody first and sometimes I'm inspired by a lyric. Typically, I'm inspired by an idea for a lyric and then after we get the lyric going then we write a melody to it.
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