A Quote by Steve McConnell

95% on content and the computer language remains the same. — © Steve McConnell
95% on content and the computer language remains the same.
We use content-addressing so content can be decoupled from origin servers and, instead, can be stored permanently. This means content can be stored and served very close to the user, perhaps even from a computer in the same room.
Format is just the language. Content is the only thing that is important. Form is like handwriting. Whether you write in a scribble or clean handwriting or type it, the content remains the same. You want to write in clean hand, in a kind of a clear format only because it is aesthetically pleasing. I can scribble, that's also fine.
I believe that the brain has evolved over millions of years to be responsive to different kinds of content in the world. Language content, musical content, spatial content, numerical content, etc.
The language of the internet is English, and an overwhelming proportion of the global computer chatter also originates from America, influencing the content of global conversation.
I will not compromise on language or content. At 15, people can handle the same language as me, they're just as complicated as me and are very interested in thinking about important questions for the first time.
Poetic language features an iconic rather than a predominantly conventional relationship of form and content in which all language (and cultural) elements, variant as well as invariant, may be involved in the expression of the content.", "Analysis of the Poetic Text.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
Composing computer programs to solve scientific problems is like writing poetry. You must choose every word with care and link it with the other words in perfect syntax. There is no place for verbosity or carelessness. To become fluent in a computer lnaguage demands almost the antithesis of modern loose thinking. It requires many interactive sessions, the hands-on use of the device. You do not learn a foreign language from a book, rather you have to live in the country for year to let the langauge become an automatic part of you, and the same is true for computer languages.
The language in a comic book or a graphic novel and the cinematographic language are really not the same language. They are false brother and sister. It's not at all the same.
Immersion was founded in 1993 with the mission of bringing the sense of touch to computing. Our technology, TouchSense, is embedded in computer peripheral devices and allows users to reach in and physically interact with content on their computer screens.
In nine months, a group of children left alone with a computer - in any language - would reach the same standard as an office secretary in the West.
In nine months, a group of children left alone with a computer in any language will reach the same standard as an office secretary in the West.
At the end of the day, a television, a computer, or a smart phone is just a device through which one can access content. The content itself is what matters, not the device.
The odds of being successful are the same for every group that is educated in America. It's just that the group that is not wealthy is 95 percent of the population. So if there are 100 successful people in a room, probably 95 out of 100 came from more modest means.
To be honest, making films is so expensive and their shelf life is limited. On the web, content remains... you can watch it after five, eight, 10 years... There's a huge audience and content on the web is accessible at the click of a phone.
Graphic design is a visual language uniting harmony and balance, color and light, scale and tension, form and content. But it is also an idiomatic language, a language of cues and puns and symbols and allusions, of cultural references and perceptual inferences that challenge both the intellect and the eye.
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