A Quote by Steve McCurry

If you want to be a photographer, first leave home — © Steve McCurry
If you want to be a photographer, first leave home
To become a photographer leave your house first.
I’m in for work at 6.30am and one of the last to leave. I don’t want to go home. We have beds at the training ground and I go home sometimes and say to my wife: 'Do you know something, I didn’t want to leave work today!' It’s not a slight on my wife. It’s just a great position to be in when you love your job so much.
My Dad took a workshop from a photographer who worked at the Toledo Blade, a newspaper I delivered. I knew this photographer's work. My Dad took a night class from him at the University of Toledo. Without that class, I wouldn't have become a photographer, because my Dad came home and taught me what he learned in class.
When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, "Josef, a photographer works on the subject, but the subject works on the photographer."
We're going to bring our jobs back home. And if companies want to leave Arizona and if they want to leave other states, there's going to be a lot of trouble for them. It's not going to be so easy.
The big truth for men is that often we have to leave home in the first half of life before we can return home at a later stage and find our soul there.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
I don’t know. But it’s my option. I don’t want to leave Chicago. I want to be successful here. I want to help this team, like I always say, be in the pennant race… I don’t want to leave, and I don’t think I will leave.
Forget about the profession of being a photographer. First be a photographer and maybe the profession will come after.
In American culture you leave home at 18. In the Asian culture, your parents don't really want you to leave home. So my parents just thought I was going to be one of those kids. I was like, "I'm never going to make a living at whatever I do." I just liked pretty things.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
I didn't want to be a woman photographer. That would limit me. I wanted to be a photographer who was a woman, with all the world open to my camera.
A businessman needs three umbrellas - one to leave at the office, one to leave at home, and one to leave on the train.
When people look back at my career, I want them to see a fierce competitor, but more importantly, I want to be remembered for my consistency of character and the legacy I hope to leave through my First Things First Foundation.
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