A Quote by Steve McCurry

To become a photographer leave your house first. — © Steve McCurry
To become a photographer leave your house first.
You don't even have to leave your house: you do your work from your house; you can order anything you want from your house; you don't have to leave your chair. Everything's been designed so that you never leave your computer chair.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
You can't leave the thing that you are, the house that has become your biography.
If you want to be a photographer, first leave home
You know that you wouldn't take a baby on a plane without diapers, so when you leave your house, take care of you, like you would a baby. Don't leave your house without packing some healthy things.
Your house is your larger body. It grows in the sun and sleeps in the stillness of the night; and it is not dreamless. Does not your house dream, and dreaming, leave the city for grove or hilltop?
I sell my first book to Random House, a memoir of my years as a war photographer, for twice my NBC salary.
The heart of Paris is like nothing so much as the unending interior of a house. Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Erol and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.
I always say leave things at the door. Whether it's at your audition or at your house, leave the problems of the day away. Keep persevering, stick to yourself. Don't do what other people ask, do what you want!
When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, "Josef, a photographer works on the subject, but the subject works on the photographer."
I felt when I was gambling that the house always wins, and it was always like, how can I become the house? But when you're a band, you are the house because you can write the songs, you can wear your own clothes, you can pick where your show is. I can choose my own cards, basically.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.
My Dad took a workshop from a photographer who worked at the Toledo Blade, a newspaper I delivered. I knew this photographer's work. My Dad took a night class from him at the University of Toledo. Without that class, I wouldn't have become a photographer, because my Dad came home and taught me what he learned in class.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
Before, I used to ask permission to my parents to leave the house. Now it's - I ask permission to my children to leave the house. They own the house.
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