A Quote by Steve Miller
In 1956, I began playing in a band with Boz Scaggs.
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If it wasn't for Boz, my life would've changed. Meeting the Porcaro brothers and getting that Boz Scaggs gig were two life-changing events for me. It all fell into place after that.
The original version of 'Nuthin' but a 'G' Thang' was made to a Boz Scaggs song; I can't remember the name of the song.
Ariel Pink would be a regular on the Mike Douglas Show. Both a master songwriter and a charismatic figure, he'd wander the set like a cherubic, more likable Jim Morrison. His songs would be all over KFRC - the way Boz Scaggs ruled for one summer with 'Silk Degrees.'
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
I enjoy playing the band as the band. I be the whole band and Im playing the drums, Im playing the guitar, Im playing the saxophone. To me, the most wonderful thing about playing music is that.
The women's movement was coming, but I didn't know it in 1956-1957, when I began to write.
I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.
I didn't want to be 40 or 50 years old and still playing clubs, I didn't feel like I was making any progress, and I actually gave the band notice at one point. I began to have doubts about my abilities.
I was kind of bored playing drums in a band. Which was depressing, because playing in the band was kind of a golden ticket.
When I started out playing live, it was different. I felt good about it. Nobody knew who I was. I just opened for so-and-so. Now, I'm playing to people who are coming out to see the band. There's too much attention on the band and me.
It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.
Growth theory did not begin with my articles of 1956 and 1957, and it certainly did not end there. Maybe it began with 'The Wealth of Nations'; and probably even Adam Smith had predecessors.
I enjoy playing with a big band occasionally, but it's too restricting; you really don't have a chance to stretch out and do what you want to do. Getting that thing of relating to a large band is great experience; I relate much better, though, if it's a small band.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
At rehearsals, I began conducting the band, counting them in without thinking. I guess it came from watching salsa legends like my uncle and Tito Puente, who was very much the leader of his band on stage.
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