A Quote by Steve Morse

It's one that still happens, actually... forgetting a part of a difficult piece. Usually, the chances of it happening are directly proportional to how quiet and attentive the audience is.
The degree of sympathy we feel regarding another's fiasco is directly proportional to how easy or difficult it is for us to imagine ourselves, under like circumstances, making a similar mistake.
Your chances of success are directly proportional to the degree of pleasure you desire from what you do. If you are in a job you hate, face the fact squarely and get out.
The audience plays a huge part in how a piece will actually form. They really allow the performers to walk a tightrope in a way that never seems to happen in the privacy of your own four walls. I'm listening to the audience, and they're listening to me.
When you're still in the broadcast business, you're still trying to reach tens of millions. You're trying to still aim for a broader audience, and I think that's a more difficult task to spread yourself across that audience, connect with them, as opposed to a very, very small, pinpointed audience. Difficult to do.
Your compensation is directly proportional to how many lives you touch.
I truly believe that everything happens for a reason. So you asked, ‘When things get really, really difficult in your life, what keeps you going?’ For me, it’s always that the most difficult moments in my life, the moments in which I believe I’ve completely failed or hit bottom, I can actually directly link them to something later that is either a true success or a dream come true. So, I do believe that if you can maintain that everything happens for a reason, you can find the strength and the lesson in those difficult moments and grow stronger.
The voice of wisdom is inherent within us and willing to guide us when we stop to listen. Of course, there are times when we feel we've been still as stone, and the still, small voice is still too quiet to hear. When this happens, the challenge is to practice quieting your mind anyway. Stopping and asking, quieting and listening, trusting and waiting. Waiting is difficult but worth the effort because a quiet, uncluttered mind is a natural antenna for whispers of wisdom from within.
The elegance of a mathematical theorem is directly proportional to the number of independent ideas one can see in the theorem and inversely proportional to the effort it takes to see them.
Most songs come from being attentive. Attentive to life, attentive to scripture, attentive to your heart. Pay attention!
Meditation is a state of mind which looks at everything with complete attention, totally, not just parts of it. And no one can teach you how to be attentive. If any system teaches you how to be attentive, then you are attentive to the system, and that is not attention.
Writers and musicians are very similar in that the chances of making a life in either field are so infinitesimal. And once you're in, the chances of staying viable are difficult. But there is something incredibly different about performing in front of a live audience, as opposed to sitting at your desk typing.
We think we have to be a certain way because we have been taught to be a certain way. Actually the only truth is to keep quiet and see what happens from there. When I feel ill-tempered, when I feel sad, when I feel distant, it's just something that is happening. When I don't compare it to the past and project it into the future, then it's just something that is happening now. It's a way of dying now.
The willingness with which our young people are likely to serve in any war, no matter how justified, shall be directly proportional to how they perceive the Veterans of earlier wars were treated and appreciated by their nation.
The degree of slowness is directionally proportional to the intensity of memory. The degree of speed is directionally proportional to the intensity of forgetting.
You know, it actually can happen. I mean, the chances of it happening are very rare, but it can happen actually. Which is crazy. Not that it—the chances of it are, like, you know, it's like probably ‘pigs could fly.' Like, I don't think pigs could fly, but actually sharks could be stuck in tornados. There could be a sharknado.
The difficulty of writing a second novel is directly proportional to how successful the first novel was, it seems.
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