A Quote by Steve Nash

I've always wanted to shoot a good percentage for my team, because I'm the point guard, and I can take fewer shots, still score more, so that I can get my teammates feeling good about themselves. That was always my feeling - that if I shoot a high percentage, I don't have to shoot a ton.
When every guy on the team and the coaching staff is telling you, 'shoot it, shoot it,' obviously I've always known I could shoot it, but it was more of a trying to get the guys involved and being that middle man.
I never casually shoot shots, ever. I shoot the same way every time. I shoot the same shots that I'd shoot during the game.
I would like to shoot a better 3-point percentage, especially because the game is becoming more 3-point oriented.
I've always been able to shoot the ball, so it's just about continuing to work on your shot and shoot the ball. That's the main thing. Got to get those shots up.
At first you see a lot of people say 'Oh he's good, but he can't shoot' or 'Oh he's good, but can his shot translate to the NBA?' That just made me go into the gym and work that much harder to show and prove that I can shoot outside shots, and I can make shots.
I love good TV shows, but it's not what I do. I kind of sculpt my films as I go along. And TV is all about writing, so you just shoot, shoot, shoot what's written.
I had the feeling that Sarajevo was the perfect place to shoot the film I wanted to shoot. It is the perfect illustration of purgatory.
I don't shoot shots just to shoot shots. I'm always working in a rhythm, working on mechanics. I've got a checklist of the things I need to do with my form, my legs, my arms, all of my mechanics.
I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room. I used to shoot in a way that drew more attention to the camera and I've tried, in each film, to draw less and less attention to the camera. I think when you pay attention to the shots, you're aware of the fact that there's a director.
I love the opportunity to shoot digital because you can shoot so many takes, it's really malleable, it's a ton of fun, and it is easy.
What makes me a selfish player? Because I shoot the ball? I'm supposed to shoot the ball. That's how you score points. Those points go on the scoreboard for the whole team.
I shoot in black and white, sometimes color, sometimes if it looks good I shoot out the window of the airplanes or whatever, anything that - sometimes I secretly take secret photos, shoot video of people on the plane if it's not too crowded. I don't know, whatever comes up.
I became passionate about nature filmmaking when I graduated from UCLA, and one of the things I always wanted to do was shoot really high quality film, so I got into time-lapse photography - so that means when you shoot a flower, you're shooting, like, one frame every twenty minutes, so that's basically two seconds of a film per day.
It took for me to get to the Lakers and for my teammates to help me get through that mental block that I had. Anytime I was open, anytime it even looked like I might be open, they always told me, 'Shoot the ball. We don't care if it goes in or if you don't make it. Just shoot it.'
I look at like this: Any player I guard, long twos or shots like that, if they make them I still think that's good defense. You can't make those shots at a high percentage the whole game. It's just hard to make long two-pointers, step-backs, fadeaways, off-the-dribble crossovers.
I have good mid-range shot and I can shoot threes, but in Europe coaches didn't want me to shoot outside because I was tall and big.
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