A Quote by Steve Nicol

To get players for MLS, we sometimes had to go to places where nobody else goes. The big teams have global scouting networks but we had to be creative. — © Steve Nicol
To get players for MLS, we sometimes had to go to places where nobody else goes. The big teams have global scouting networks but we had to be creative.
I know the questions will be around the money, the amount Chelsea had to spend to bring him here but that's the reality of modern football. Big teams only want big players, big players are in big clubs, big clubs want to keep their big players.
When you're young and creative, you don't know how to channel all that creative energy, so sometimes it goes to the wrong places.
I look back to the 1980s and 1990s, when Italian teams dominated Europe. They had maybe three players from abroad, but they were the best players in the world. That was perfect, because there was always the possibility for young Italian players to get in the team.
Nobody else in the world can do what we can do. And nobody else is willing to do it for altruistic reasons. I mean, we don't go into places like Iraq to grab their oil or colonize their country. We go there to deliver, as George W. Bush said, the blessings of liberty.
I think free agency changed the league more than the money. Teams had to build better facilities, coaches had to develop more personal relationships with the players and recruiting became such a big part of winning and losing.
The players get no respect around here. They give you money, that's it, not respect. We get constantly dogged and players from other teams love to see that. That's why nobody wants to play here.
The players get no respect around here. They (the Yankees) give you money, that's it, not respect. We get constantly dogged and players from other teams love to see that. That's why nobody wants to play here.
I think about the period of, like, the '70s and early '80s where nobody had money to make big movies and there was no CGI or anything like that and people had to get super creative. And then, you know, when you've got somebody who can paint you any picture on a computer and you get hundreds of millions of dollars to make a movie, its almost like the creativity diminishes somewhat.
When I started in the clubs, I had to work places where didn't nobody else want to work. I had to do clubs where street gangs were, had to do motorcycle gangs, gay balls and things of that nature.
I realised I had to work in something creative, but with a business and global element. And that I had to do it while I was still young and had an appetite for risk.
When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed - for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little. Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you.
...when you collaborate with someone else on something creative, you get to places that you would never get to on your own. The way an idea builds as it careens back and forth between good writers is so unpredictable. Sometimes it depends on people misunderstanding each other, and that's why I don't think there's any such thing as a mistake in the creative process. You never know where it might lead.
There are so many great players in the Premier League and of course the big teams are always the favourites, but the teams below them also play good football. The mixture of foreign and English players works really well.
We are not trying to reinvent the wheel. Sometimes it goes well, sometimes you have your off days. We have a way of going about things. Basically we are positive people trying to improve players and teams.
The big question on everyone's mind is, 'Did Tim Donaghy fix games?' The answer is no. I didn't need to fix them. I usually knew which team was going to win based on which referees had been assigned to the game, their personalities, and the relationships they had with the players and coaches of the teams involved.
When I look back at what I had to go through in black baseball, I can only marvel at the many black players who stuck it out for years in the Jim Crow leagues because they had nowhere else to go.
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