A Quote by Steve Nicol
We always talk about experience and maturing, the best thing that can happen to a footballer is the game slows down for them. All of a sudden, they can see things, they can see passes, they can see space, the whole game opens up for them.
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I still play my fast-paced style but when the game slows down it allows you to see the little things - the right passes, where to lay the ball up.
I think the best thing about my game is my vision. I see things happen before they do.
As a coach, the more experience you have, the more you're around players, it helps so you see how guys learn, ways that are effective to reach different people. You see the aftermath of all the things that happened; you don't just see what happens at the game, you see what happens after the game, the followthrough, and those types of things.
People always talk about Ronaldinho, and everything but I didnt see him today - I saw Henrik Larsson. Two times he came on - he changed the game, that is what killed the game - sometimes you talk about Ronaldinho and Etoo and people like that, you need to talk about the proper footballer who made the difference and that was Henrik Larsson tonight
Today no matter where I'm going, no matter what I'm doing, no matter who I'm doing it with, it is my dominant intent to look for and find things that feel good when I see them, when I hear them, when I smell them, when I taste them, when I touch them. It is my dominant intent to solicit from experience and exaggerate and talk about and revel in the best of what I see around me here and now.
They are playing a game. They are playing at not playing a game. If I show them I see they are, I shall break the rules and they will punish me. I must play their game, of not seeing I see the game.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.
It's always interesting to be playing against some of my best friends and some of my longtime teammates. You get to see them before the game and after the game and it's always nice to catch up but when the whistle blows it's sort of all business on the field.
You can lose a game but, I see guys every week including myself, you lose a game, it's a tough loss, you're down, two weeks later you forgot about it. You know it's amazing how down you were, but all of the sudden you're like it never happened.
I cannot see the short, white curls
Upon the forehead of an Ox,
But what I see them dripping with
That poor thing's blood, and hear the ax;
When I see calves and lambs, I see
Them led to death; I see no bird
Or rabbit cross the open field
But what a sudden shot is heard;
A shout that tells me men aim true,
For death or wound, doth chill me through.
I could never get bored talking about him, he was my favourite player. I loved watching him because he did everything you'd want to see in a footballer. He could dictate the pace of a game; he could take it by the scruff of the neck and control it; he could score decisive goals; he could make the killer pass; he could switch the play, open teams up, slow the game down, quicken it up; whatever was needed. He would take the ball anywhere on the pitch He was such a selfless footballer, too Scholesy was the man, all right.
The best thing you can do with actors is collaborate with them. My job is to inspire them to give their best. And they're only inspired if they feel they are part of the creative process, otherwise they'll shut down. So my goal is always to ask people what they would like to do before I even say my opinion. I usually don't know anything until I see it. I'm a fetish filmmaker - I make films based on what I want to see.
Putting my teammates first was the best thing I could've done. Once I did that, things started to happen for me. I started to see the game differently. It wasn't about me anymore. It was more about my team.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
Coaching to me is the ultimate high, especially when you have a game plan and you see that game plan executed to perfection. To see those players take what you put in front of them in preparation and turn it into a masterpiece - it doesn't get any better than that.
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