A Quote by Steve-O
I wouldn't have really committed myself to any kind of spiritual lifestyle, I don't think, if I had not endured great suffering. I think that's the case with a lot of people.
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I am a great artist and I know it. It's because of what I am that I have endured so much suffering, so as to pursue my vocation, otherwise I would consider myself a rogue - which is what many people think I am, for that matter.
I just think Josephine Baker life story needs to be done. I think she was an extraordinary woman. To see someone who was basically a showgirl have the kind of lifestyle she had was extraordinary. I really think she made her own lifestyle.
Religious life is not going to go away. It will take a different form. Why am I so sure it's not going to go away? Because there are people whose personalities and gifts, and interests and soul, are simply immersed in living this kind of a spiritual lifestyle. That only makes sense. If you can live an artistic lifestyle, why can't somebody live a spiritual lifestyle? We've always, in every single great tradition, had a percentage of the population that stands in the middle of us being the beacon that calls us to realize that the spiritual life is an essential part of every life.
I think you just have to be comfortable in your skin. But, I'm a nudist in any case. I've never had a problem with my body and I don't really care what people think, so I have bottoms on and pretty much go topless, or also when we shoot - we did a lot of nude pictures today, too - it doesn't bother me in the slightest.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
I think that in Sweden and a lot of European countries, there's this whole mythology of the wounded artist: that you can't really do any great art unless you're suffering.
I don't think I'm a great songwriter, but I think I've learned a lot about it, and I don't think there's any one way to do it. I don't think I can control it at all. I can just kind of hope that it happens.
I think we start suffering as soon as we come out of the womb. I think that people tend to stereotype. When they think of suffering, they think of abuse - physical abuse, emotional abuse, poverty, that kind of thing. There's different levels of suffering. I don't think that it has to do with how much money you have - if you were raised in the ghetto or the Hamptons. For me it's more about perception: self-perception and how you perceive the world.
Real meditation engenders humility and purity, always. Yet I don't really think it demands any kind of lifestyle.
I think I probably am doing animation because I started as a kid and I learned on my own, and I worked by myself a lot. It's the only thing I really prepared myself to do in any kind of depth. And I've just kind of imbibed the technology and techniques and the thinking about telling stories this way. It just feels natural to me.
We were probably the last people in the country to get a VCR and we didn't have cable. There wasn't any admiration of glamour, no, 'I want to look like them or have that lifestyle', because everyone in my town had the same lifestyle. So I didn't think, 'Ooh, a movie star's birthday!' I just thought, 'What?'
I think that Yes' music is kind of on its own out there, and it goes through different chapters, and that involves different people. I don't think it's a case of 'any year is better than any other.' They can all co-exist quite comfortably.
I think a lot of people would probably assume that I had a bad relationship with LSU, and I don't think that was ever the case.
I think there is a spiritual hunger, and I think that people are really tired of getting kind of a two-dimensional take on religion in most of the media.
I think people are surprised that I'm not - I think people come up to talk to me, and they think I'm going to be really morose. And I am, but I do that by myself - no one wants to see that. It's not really a phoniness; I just kind of keep it to myself. So I think people are surprised when they come up to talk to me and I hug them.
It can sometimes make people fold into themselves and kind of run away, but I think in this case these characters are being forced to face issues and emotions, feelings, that they have. So it kind of forces them to face it head on, which I think is a really interesting dynamic. And I think it should be interesting and probably a good thing for the relationship.
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