A Quote by Steve-O
For me to make a living acting silly for as long as I can get away with it, I think the most viable way to make that happen is to evolve into more traditional comedy. I've really been putting in the work.
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I started to make some commercials, which was a way for me to finally make a living at last. But it was only really a couple of films in that it looked like a viable career option.
You get into comedy because you are insecure, and you communicate with the world through comedy to sort of alleviate the tension of those insecurities and to find a way to make people like you other than the way you look or how good you are at sports. I don't think that really goes away.
I feel like I came to acting late in a way. I was about 26 or 27, and it was imperative that I make a living right away, and it's hard to make a living on stage, so I started in television and film.
As much as I love acting and I hope to be doing it for a long time, it almost feels more natural for me to be a producer. I came into all of this because I'm a fan of movies and I wanted to find any way I could to be a part of it all. I happened to take the acting route but it could have been a million different ways in. Now that I'm producing it's just really fun for me to work with people that I really admire and put people together who I think will work well together. Just having a little more control.
I imagine that, for most people, acting isn't something they think is a viable option, whereas for me, it was the most viable option. No adults around me knew how to do anything else.
My parents are really supportive of my interests and try to help make them happen with the tools I need. More importantly, they instilled in me that anything is possible if you work hard to make it happen.
I know that the harder you work, the more you learn, the more connections you make. You've just got to be prepared to keep putting yourself out there. You have to make it happen.
I love being on stage or in front of the camera. My work brings me a lot of joy. It helps me figure out who I am. I'm really lucky that I get to make a living at acting.
I take music really seriously. I haven't been doing this for too long, but I've been loving music for a long time. It wasn't really about other artists. I just wanted to do something more for me. I wanted to make a better life for my mom. I didn't have any way to take care of her, and I wanted to make a better way. Music was an outlet, so I went with it, and there you go.
I decided to not be so dismissive of my music in favor of my acting. Acting has been such a consistent thing for me; a lot of times in the past, I wouldn't have had the confidence with my music to really make it a part of my schedule. I would easily push it to the side, or I would easily take up time that was needed for it. I'm not that way anymore. Now, I really want to make everything work. I want to continue to do both at the highest level that I can.
I had a long, long time to make 'Rubberband,' and I originally thought that that record would last two years. Once I got over realizing that that's not gonna happen, and sort of got my perspective back, I realized, 'Man I'm really fortunate. I get to write music, make music for a living.'
I search my brain for the truth. “I want it more than anything, just as long as you promise me one thing.” “And what’s that?” “That if at any time it gets to be too much for you, you’ll leave me—walk away and get out.” “That will never happen,” he guarantees me. “You need to give me some credit. You left me, ripped out my heart, and then came back acting like a robot, and you know what? We made it through. You and I, good or bad, belong together. We make each other whole.
Writing is not the easiest way to make a living. Your work long hours, usually all by yourself. It is not a way to make money.
Every time we give a musician the advice to give away the music and sell the T-shirt, we're saying, 'Don't make your living in this more elevated way. Instead, reverse this social progress, and choose a more physical way to make a living.' We're sending them to peasanthood, very much like the Maoists have.
Every time we give a musician the advice to give away the music and sell the T-shirt, we're saying, "Don't make your living in this more elevated way. Instead, reverse this social progress, and choose a more physical way to make a living." We're sending them to peasanthood, very much like the Maoists have.
I'm a little tired. I haven't been out for more than five or six weeks in the States, and that's really a lot for me. You know, to me, music is important, it's the way I make my living and I like it and I enjoy playing. But it's not the most important thing in my life - that's my family.
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