A Quote by Steve Porcaro

When I did my solo album, I put on a song that I'd planned for Toto that never made an album constructed from a great drum track with Jeff and a bass track with Mike and the guys loved it.
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
I'm track 3 with fabulous French dialogue on the 'Star Is Born' album. I'm track 3 'NASA' on Ariana Grande's album. From 'All Stars 3,' went to 'Drag Race' three times, never won. Three is my lucky number.
For every album, I really try to make an album that you hopefully will listen to from the first track to the last track. I personally really like if there's a - maybe not a story, but there's a natural flow.
My favorite Luna disc is our third, 'Penthouse,' a sparkly, moody album that works from track one all the way to track 11. Tom Verlaine of Television and Laetitia Sadier of Stereolab make guest appearances. I am also fond of the final Luna album, 'Rendezvous.'
I am more interested in how people interpret the phrase 'Elect The Dead' than what I may or may not have intended. I named the album after the track, which is a spiritual song about love, life and death and is the heaviest song on the album without having any heavy instruments.
It varies from song to song, although Buck Owens and I recently collaborated on writing a duet together and am looking forward with a great deal of anticipation to recording that track for the new studio album.
Billboard called my solo album, 'Standing In The Spotlight,' a great party album and even said that my raps put the Beastie Boys to shame.
With my solo music, I really try to step out of the box and do stuff I don't get to do with the boys. I wanted it to be fun, rock-infused and try some new things while going back to my roots. "All American" the song is one of my favorites from the album, which is why I chose to title the album after it. To me, it's the perfect song to represent the feel of the album.
I thought I'd do everything on four-track, and then I'll record every instrument myself in a studio, and then I'll have a solo album released by spring.
My album is called 'Zero to Infinity' and none of my songs are going to have cheap, dirty lyrics. Every song, in a way, is a women empowerment song. Every song, even if it's a dance track, you'll be dancing on it, but it's the right thing.
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
I knew I was destined to do a solo album, but when I did that first album in 1978, I had no idea it was going to be that well received.
The first album I bought, I didn't even buy it. My grandma got Mike Jones and Bow Wow's 'Wanted' a little later. Matter of fact Ying Yang Twins' 'U.S.A. Still United' was the first album, but Mike Jones was the first album I really love.
I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.
You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.
From the first album I'm playing bass on a lot of the tunes, and piano on a lot of 'em, and drums, and guitars. I did that on almost every album.
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