A Quote by Steve Porcaro
It was a lot of insensitivity, especially as maybe as far as the 'Africa' video goes. But the song was about a fantasy.
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Maybe it's because I grew up during the MTV generation, but to me a perfect song is one I can imagine a music video to, a song that can take you into a dream.
I did an album a long time ago called 'Replicas,' which was entirely science-fiction driven, or science-fantasy. Since then it's been a song here, a song there. It's not really a constant theme. I've written far more about my problems with religion, with God and all that.
People try not to think about what's going on in sub-Saharan Africa. They edit it out of their daily lives. Especially Americans. We prefer a fantasy version of Africa.
I didn't have song rights for the first video because I didn't know that it was going to do what it did. So for the second video, I decided better safe than sorry. It is a really gray area as to whether or not you even need song rights to make a video like that.
I don't want to talk about apartheid... I'm going to South Africa to play tennis and to see the country. That's as far as it goes.
The MTV Video Awards were never about the video, but about the song. Most of the time it was just to glorify people for the wrong reason.
One good thing about a good book or a good film, or maybe even a song, I'm not a musician but I love to listen to music, is the range that each piece is able to give you. Like 'Bohemian Rhapsody' by Queen, 1975, that song is so epic. It goes in so many different places, it's and opera and it is heavy metal, and it's so crazy as it goes every which way. I kind of like films like that.
I was in a karaoke video in 1991, for a song called 'Sukiyaki,' which is a very famous Japanese song, and I've actually heard from people that they've been in bars in Asia where they've seen me come up in the 'Sukiyaki' video that they play behind you. I'm in that. I'm in a karaoke video.
Most fantasy is incredibly derivative of Tolkien, so when you read a lot of fantasy, it's really just elves and gnomes, and it all goes back to Tolkien.
My creative process is a bit manic at times, to be honest. I wake up Monday and Thursday stressed because I don't have a video. I usually - with the exception of maybe a handful of videos - wake up, write the video, shoot the video, edit the video, release the video all in the same day.
There has been a lot of bad fantasy in the past - I'm by no means saying that all classic fantasy out there is bad - but there has been a lot of bad fantasy written by people who read a lot of fantasy and so all they keep doing is recycling it.
The problem with working with a record label is they maybe a song I want to make a video for that they will refuse to make a video for because they don't see that song as a single. And I found that very frustrating. I realised what I was doing was making these short films for the blind. They were films and all you had to do was put some headphones on and close your eyes and listen to my voice and you'd be able to visualise the images that I'm putting into your brain. And so I started calling what I was doing 'films for the blind'.
Once they're on paper, they're gone. I like to do as much with the words, as far as image goes, so that it's really left open for a lot of things, even though I remember a specific impression of something I had at the time. I can't say a song is about this or that; in fact, I wouldn't even want to. I just prefer to have people live it anyway they want. Because it's theirs after that. There's nothing I can do about it anymore
If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me?
Living here in North America - I have been Americanized. When I go back home now, there are things that I have far less tolerance for in South Africa. We've come such a long way in terms of race relations and the economy as well as people's willingness to move on. There are still a lot of things that are frustrating about being in South Africa.
There's a lot of reflection that goes on whenever I write a song - it's been a wild whirlwind last couple of years and there's a lot to talk about, and hopefully that's evident in the music.
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