A Quote by Steve Prefontaine
A race is a work of art that people can look at and be affected in as many ways they're capable of understanding.
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I would simply ask why so many critics, so many writers, so many philosophers take such satisfaction in professing that the experience of a work of art is ineffable, that it escapes by definition all rational understanding; why are they so eager to concede without a struggle the defeat of knowledge; and where does their irrepressible need to belittle rational understanding come from, this rage to affirm the irreducibility of the work of art, or, to use a more suitable word, its transcendence.
I actually believe that this Trump phenomenon, which has affected many of us, is going to accelerate the use of art for philanthropy, because people are realizing that art is a vehicle for showing opposition - just look at the signs in the women's marches.
There's no right way. There's no measurement system. That's why, you know, art competitions are a little confusing to me. I mean, they're lovely, but so many people are affected by different people and different things in such different ways. And yeah, it's immeasurable.
The person who appreciates a great work of art has the feeling that the work grows in him as he becomes involved in a prolonged capturing of emerging marginal meanings. He feels that he, too, is creative, that he himself is adding to his experience and understanding. Moreover, he wants to confront the work of art many times. He is not easily tired of it, as he would be had he read a purely logical statement. He realizes that the work of art does not merely transmit information; it produces pleasure.
Art is consumed in so many different ways. You could say people don't stop to appreciate art. On the other hand, people can consume art more quickly.
I've come to a real understanding of the enormity of what owner entrepreneurs do in founding great businesses. They are rare and a thing of art in many ways.
I believe it is no wrong Observation, that Persons of Genius, and those who are most capable of Art, are always fond of Nature, as such are chiefly sensible, that all Art consists in the Imitation and Study of Nature. On the contrary, People of the common Level of Understanding are principally delighted with the Little Niceties and Fantastical Operations of Art, and constantly think that finest which is least Natural.
I think that there are many ways in which people look for heroes, messiahs, things like that in society. I think some people are looking for something that maybe they don't possess. To me, ultimately, you are looking for someone who understands you, or at least you think understands you. It all comes down to understanding for who we look to as heroes.
When you hear that my body has ceased to exist, please do not feel sad. Just look deeply and see that my life and work continue in so many friends, so many young people, in their own ways and through their work. I will continue in everyone and everything I have ever touched. I have nothinng to fear and nothing to regret.
Vampire have their own understanding what freedom is because they just live much longer and they feel they are a superior race and they have their own understanding and their understanding represents the understanding of some people, that - who has the power of course has to rule the world.
People ask me many times, "Aren't you afraid you're going to scare people? Aren't you afraid you're going to make people feel bad about the human race?" I look at it as entirely the opposite. Something you can understand and identify should be less frightening than something you can't. And to understand that there are people who are capable of acting without conscience, without considering other people at all, explains a lot of things.
To make your life a work of art, you must have the material to work with. The race, any race, is just such an experience.
An artistic impression is substantially the resultant of two components. One what the work of art gives the onlooker - the other, what he is capable of giving to the work of art.
What does it matter, if we tell the same old stories? ...Stories tell us who we are. What we’re capable of. When we go out looking for stories we are, I think, in many ways going in search of ourselves, trying to find understanding of our lives, and the people around us. Stories, and language tell us what’s important.
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where their taste is, create their own aesthetic universes, support artists, employ people, and do all of this while letting us see art for free. Many are visionaries.
I'm happy to do interviews from time to time, but I don't find them that necessary - and that hasn't seemed to have affected people's understanding of our work.
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