A Quote by Steve Reich
I've learned over the years that geography is not that important, except that I seem to work better in the country than the city. I get more done. There's just less happening around me, and I have more time and concentration to work on music.
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Something I've learned over time, and trying to remind myself this week as I am back in New York and feeling pretty anxious, is that things always seem less dire when you're in the country than when you're outside. I don't exactly know why it is, except that people just have to get on with their life, so they do. And you don't have time to do anything other than keep going.
I've learned... That the less time I have to work with, the more things I get done.
The faster you work and the more you get done, the better you feel. Most successful people work at a higher tempo of activity than unsuccessful people. They don't necessarily do different things, but they get things done more efficiently in a given time than the average person.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
What I learned, more than anything, was that you can't have it all balanced perfectly at any one time. When I was young, it was much more balanced toward work. When I had my children, it was much more balanced toward love and family, and I didn't get a lot of work done. So you can't ask of it to be perfectly balanced at any time, but your hope is, before you die, you've somehow had each of those spheres come to life. That's probably more important than success in any one of those spheres alone.
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
I've learned from experience that if you work harder at it, and apply more energy and time to it, and more consistency, you get a better result. It comes from the work.
People would be surprised if they knew how shitty my recording situation has been over the years. It took a lot of work to make the music sound ok. Having space where you can't be heard is more important than not being able to hear. If you can't be heard you feel more free when you work.
Things always seem less dire when you're in the country than when you're outside. I don't exactly know why it is, except that people just have to get on with their life, so they do. And you don't have time to do anything other than keep going.
Why do people complain that there's no time to get their work done? Because there is more work to do than the work they think they have to do.
... the more I learned, the more conscious did I become of the fact that I was ridiculous. So that for me my years of hard work at the university seem in the end to have existed for the sole purpose of demonstrating and proving to me, the more deeply engrossed I became in my studies, that I was an utterly absurd person
Making money has always been pretty easy for me, but today I don't need any more money. I still work, because money is important, but my work is more important than the money, now. And that's a very big difference. I just work because I enjoy my work.
Honestly, the more things start to get bigger and better, the more I am just inspired to work harder and put my music out there and make better music and keep everything going.
I learned to play by ear before I learned music theory. For me, that makes sense. After all, children learn to speak before they read and write. The more you understand of music - how harmony and time signatures work, and what chords and inversions are - the more you'll enjoy it.
I'm making better than two million a year, but it's hard work. The luxuries and pleasures I enjoy in my spare time keep me in condition to do that work. Carnegie and Frick have more money than I have, but I'm getting more value for my dollars than they are.
I try to set an intent every morning and take time to think about whatever I hope to achieve that day. I've learned that there's never going to be enough time to do anything. It's never going to be a perfect day, and I'm at a point in my life where my children are more important than work. Work is still important to me though, and I love what I do.
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