A Quote by Steve Smith

Particularly when I'm batting, I don't really hear anything that's going on. I block it all out. Maybe a little bit when I'm fielding but then again, it's just words. It doesn't affect me. If people want to say things then go for it.
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
I feel very fortunate that while I had a little bit of personal panic or maybe a little internal struggle as a teenager, really coming to terms with the fact that I was gay, and also knowing I was going to have to tell my family. And, how was that going to affect things? And would it affect things? And ultimately, it did not.
First of all I have to ask myself what am I trying to say and who am I trying to tell the story to. So if it's just 300 words going in the Independent it's very much where, what, who and when - fantastic. If there's a little bit more scope, if I've been given 1500 words by the sports editor, and I can have a little bit of fun, then I need to maybe entertain, include some different stuff.
My parents are just really down-to-earth, earnest, hardworking people that don't want for anything. I think that really served me because when you put more value on experience than things, then you're going to go out and have experiences.
It's so much in me to want to keep experimenting all the time. It's just inherent. Therefore I keep reaching for instruments I don't particularly know how to play, and then I become excited. That gives me energy to want to make new things, and it forces me to hear things in new ways, which then can only help to say things in a new way.
For me, I felt bad for people asking the questions, cause you know their boss sent them out saying, 'Get me something on Mission Impossible.' And you ask the question, and it's just a polite, 'I'm not going to tell you.' Then, every so often, they'd go, 'Well, can't you just tell us a little bit?' I have to say, 'You know what guys, I'm under contract and I'm not going to tell you anything.' So you keep asking the questions and I'm just going to keep smiling. And it's hard, cause I don't want to seem rude, but it's part of my job just like it's part of their job to keep a secret.
I think that if you're really going to snog someone and it's going to be a perfect snog, it's got to be between two people that really like each other, rather than someone you think is fit and you snog for the sake of it. That normally turns out not to be a good snog. But if you have two people that really like each other, then fair enough. Really, it's a little mix of kissing, a bit of lips, maybe some biting, and then a bit of tongue and stuff. It depends on what kinky little minx you've gone for on the night.
I opened my mouth wide one time to see if the words I was thinking would fall out, but they wouldn’t. If words don’t want to come out, they don’t. I don’t understand when people say things and then they say, I didn’t mean to say that. Words don’t just fall out. You have to push them out. And sometimes, you can’t push them out, even if you want to.
It's just a wonderful experience and it's fun when you make a film and people go to it to emote and in my picture you hear the audible sobbing and then you hear the audible laughter and then you see people leaving the theater with a little bit of spring in their step. It's just great to be part of one that lasts a long time.
I think it's incredibly important to vote because politics is for the people, and we shouldn't leave it just to the parties because then we're in some kind of helpless society where you have no say in anything and in things that are going to affect you. Government was formed to represent the people, but if you don't vote, then you're not being represented.
Maybe you have a particular type of sound you want to go for, but if you really want to be original, there's no real recipe for that. For me it's just about letting it come to you... if you can let your head clear out, then almost anything is available.
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
When I don't feel like working out, lifting weights or doing serious cardio, the best thing for me to do is just go on the treadmill and walk. I walk and listen to music and 10 minutes will go by, then 15, and then I'll speed up a bit. Once my blood really starts flowing, I'll get a second wind and then I want to work out.
I think the first thing is to recognize that there is an ebb and flow to your career. There are going to be moments that are really high, and then you're going to have moments where you step away for a little bit, and maybe that's just by choice or maybe you have a family.
That's the thing about a book: You're in the public life for a little bit, and then you sort of go away for a little while - several years, in my case - and then you come out again, hopefully.
I think a lot of times photo sessions is just a test, maybe, for models. Sometimes it's for money. I'm going to shoot a girl in a couple weeks in Italy who has been writing me for a couple years. She sends photos all the time and it's kind of like a game. A lot of times people write and then they just want to see if I'm interested. If I say I am, I never hear from them again.
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